Live In London 1982 (Import) (CD) ~ Brion Gysin (Artist) Cover Art

Live In London 1982 (Import) (CD)

By: Brion Gysin (Artist)


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Product Description


Track Listing

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DISC 1 for Live In London 1982 (Import) (CD) Album By Brion Gysin (Artist)
1   Welcome
2   Minutes To Go
3   Cut-Ups
4   Teaching
5   Illusion
6   Minutes To Go #2
7   Ad Lib
8   Impro:1
9   Cut-Ups: 1960 (Bardo Hotel)
10   Ahead, Ahead:93 Million Miles Away
 


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Review

Uncut (p.93) - 3 stars out of 5 -- "Gysin himself is on form. His rambling cut-up monologues touch on Tangiers, the Beat Hotel, and...Prince Phillip."

Review

Uncut (p.93) - 3 stars out of 5 -- "Gysin himself is on form. His rambling cut-up monologues touch on Tangiers, the Beat Hotel, and...Prince Phillip."
The Wire (p.54) - "Gysin's questing spirit is plentifully evident in this selection....The physical energy level of the set is raised at times by an accompanying quartet..."

Product note

Personnel: Brion Gysin (vocals); Tessa (bass guitar); Steve Noble (drums); Jail (percussion); Ramuntcho Matta (electronics).

Title Note

Personnel: Brion Gysin (vocals); Tessa (bass guitar); Steve Noble (drums); Jail (percussion); Ramuntcho Matta (electronics).

Album Description

Live in London 1982 is the Beat Generation revamped. Recorded four years before the death of Beat legend Brion Gysin, this live set features the poet reciting poems from the late '50s and early '60s, accompanied by a makeshift no wave backing band consisting of Slits bassist Tessa Pollitt (also playing cello), Rip Rig & Panic (and later free improv) drummer Steve Noble, Penguin Cafe Orchestra percussionist Gile, and guitarist Ramuntcho Matta, also credited for writing the band's vamps and grooves. The music is resolutely avant rock: dissonant, provocative, and largely improvised. The musicians' interventions are tentative at first ("Minutes to Go, #1," "Cut-Ups (1959)"), then, following an extended unaccompanied recitation, the musical aspect of the show takes off. Paradoxically, that 25-minute solo spot for Gysin, entitled "Teaching," provides a highlight: the man clearly enjoys revisiting his old writings and, at age 66, definitely has the cultural authority of a teacher. The sound quality in the first two-thirds of the album is fine. However, things degenerate starting with "Ad Lib," which seems to be an audience recording from the back of the venue. The sound quality improves for "Impro: 1," but the tapes are badly warped, which makes the track very annoying. The last two tracks sound better and contain, in fact, the best material on the album: the band gels better and Gysin paces his recitation to the groove. Live in London 1982 is an interesting document, but it will appeal only to fans of spoken word or connoisseurs of William S. Burroughs and Brion Gysin's legacy. ~ Fran‡ois Couture



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