Leaving Through The Window (Import) (CD) ~ Something Corporate (... Cover Art

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Leaving Through The Window (Import) (CD)

By: Something Corporate (Artist)


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Product Description


Track Listing

DISC 1 for Leaving Through The Window (Import) (CD) Album By Something Corporate (Artist)
1   I Want To Save You  
2   Punk Rock Princess  
3   I Woke Up In A Car  
4   If You C Jordan  
5   Astronaut  
6   Hurricane  
7   Cavanuagh Park  
8   Straw Dog  
9   Good News  
10   Drunk Girl  
11   Not What It Seems  
12   You're Gone  
13   Globes & Maps  
 


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Review

Rolling Stone (10/3/02, p.104) - 3 stars out of 5 - "...They craft suburban ennui and high-school angst into slick, hummable punk...the secret weapon here is sharp songwriting and nice keyboards...Derivative, but not boring."
Entertainment Weekly (5/31/02, p.108) - "...Though these guys have the same catchy choruses and jump-up-and-down energy of modern-rock counterparts like Sum 41 and Blink-182, they're not nearly as juvenile..." - Rating: B

Title Note

Something Corporate includes: Andrew McMahon (vocals, piano, Hammond B-3 organ); Josh Partington, William Tell (guitar, background vocals); Clutch (bass, background vocals); Brian Ireland (drums, percussion, background vocals).

Additional personnel: Paul Buckmaster (arranger, conductor).

Engineers include: Jim Wirt, Mike Fraser, Brian Reeves.

Recorded at Cello, Hollywood, California; 4th Street, Santa Monica, California; South Beach, Miami, Florida; Jungle Room Studio, Glendale, California.

Includes 2 bonus tracks.

At heart, Something Corporate find themselves somewhere between the quirky, piano-driven sound of Ben Folds Five and the power pop angst of Marvelous 3 and Semisonic. The bittersweet mid-tempo "Cavanaugh Park" boasts lush, dramatic keyboards, setting a vibe that is almost at odds with the lyrics. "Punk Rock Princess" is as catchy as the song's name would suggest, while the bratty, self-proclaimed anthem "If You C Jordan" sounds like a second cousin to much contemporaneous neo-pop-punk music. Staying corporate, "Drunk Girl" opens with Boston-influenced guitar harmonies that lead to the most endearing sentiment on LEAVING THROUGH THE WINDOW. The song finds a man in a dubious situation, but virtue keeps him from betraying his heart; not something corporate, but something refreshing.



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