La Maquinaria Nortena (CD)

• Category:  Music  »  Latin Music  »  Norteno
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: February 13, 2007
• Label: Fonovisa
• UPC: 808835304320
• WAPI (Tower ID): 106364829
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• Tower.com Sales Rank: #196058 in Music (See Top 100 Music Bestsellers)
• #5582 in Latin Music (See Top 100 Latin Music Bestsellers)
• #115 in Norteno (See Top 100 Norteno Bestsellers)

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Personnel: Rory Nieto (accordion); Keith Nieto (saxophone); Daniel S nchez (electric bass).

Recording information: ZAZ Recording Studios.

Narcocorridos (corridos about drug trafficking) have generated so much controversy and so much debate that some people who aren't very knowledgeable about regional Mexican music might think that all modern norte¤o recordings are narcocorridos, but that is far from the case. While narcocorridos have certainly been an exciting and vital part of norte¤o, the fact is that the vast majority of norte¤o recordings of the '80s, '90s and 2000s are not narcocorridos; in fact, there are countless norte¤o bands that don't perform narcocorridos at all. This self-titled Fonovisa debut by la Maquinaria Norte¤a is a prime example of a norte¤o disc that focuses on romantic themes exclusively, but most of the time, the Chihuahua, Mexico-based group is not romantic in an overly crossover-minded, pop-drenched way. Hardcore norte¤o along the lines of los Rieleros del Norte, los Huracanes del Norte, and Oro Norte¤o is their specialty, and that outlook makes for enjoyable listening on lively tracks like "Te Voy a Olvidar," "Cuando Volveras," and "Ignorante" (all of which feature frontman Sergio Soto on lead vocals but were written by group leader/saxophonist Keith Nieto, who produced the album). La Maquinaria Norte¤a cover their norte¤o bases on this 36-minute disc, providing a lot of polka beats but favoring a waltz tempo on "La Herida Mortal" and embracing Tex-Mex-style cumbia on "No Hay Manera" (which is the closest they get to tropical). The group acknowledges Latin pop on Juan Gabriel's "Inocente Pobre Amigo," but again, pop considerations are the exception rather than the rule on this 2007 release. No one who has listened to norte¤o extensively will accuse la Maquinaria Norte¤a of being groundbreaking or terribly distinctive; nonetheless, this is a satisfying, if derivative, debut that will generally appeal to those who like their norte¤o straight-ahead. ~ Alex Henderson

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