No Description Available No Track Information Available Media Type: CD Artist: KEN BURNS JAZZ-STORY OF AMERICA''S MUSIC Title: KEN BURNS JAZZ-STORY OF AMERICA''S MUSIC Street Release Date: 11/14/2000 Domestic Genre: JAZZ COLLECTIONS
This five-CD box set soundtrack to filmmaker Ken Burns's 10-part, 19-hour documentary Jazz spans nearly a century of jazz styles, from the martial rhythms of James Reese Europe to the soul-jazz of Grover Washington Jr. It includes time-tested classics like Benny Goodman's 1938 classic, "Sing, Sing, Sing"; John Coltrane's chanting 1965 immortal track, "A Love Supreme"; Billie Holiday's blue-ember ballad, "God Bless the Child"; and Ella Fitzgerald peeling off "A-Tisket A-Tasket." Bebop is represented by Charlie Parker's orchestral bop version of "Just Friends"; Thelonious Monk's nocturnal calling card, "'Round Midnight"; and Dizzy Gillespie's "Salt Peanuts" and "Groovin' High."
The jazz-instrumentalist-as-singer comes to life on Coleman Hawkins's "Body and Soul" and Horace Silver and the Jazz Messengers' "Doodlin'." Clifford Brown and Max Roach's "I Get a Kick out of You" epitomizes the hard-bop era, while Miles Davis's "So What" stands as the modal masterpiece. The cool school is in session with Chet Baker and Gerry Mulligan dishing out "Walkin' Shoes," and the Modern Jazz Quartet's soulful elegy "Django" straddles all the above musical orbits. As for Django Reinhardt, he's featured on "Shine" with the justly famed Le Quartet du Hot Club de France.
Louis Armstrong's "West End Blues" and "Potato Head Blues" and Duke Ellington's rousing rendition of Billy Strayhorn's anthem, "Take the A Train," and his moody "Solitude" show why they are the Olympian masters of this art form--and the most frequently featured artists in the series. Although Ken Burns tries bringing the music up-to-date with Wynton Marsalis, Cassandra Wilson, and two jazz-hip-hop-influenced tracks--Herbie Hancock's robotic "Rockit" and the French-language "Un Aige en Danger" by MC Solaar and bass legend Ron Carter--there are significant holes here. After Cecil Taylor and Ornette Coleman, the avant-garde period from the late 1960s to the 1980s is lacking. And aside from the bossa nova hit "Desafinado," Latin jazz is also missing. It's a tough task summarizing jazz in five CDs, and Burns has given us a vibrant and vivid multicolored aural portrait of the music. --Eugene Holley Jr.
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