Entertainment Weekly (11/7/03, p.70) - "...Sterling results....[the tribute] runs the Shania-to-Sinead gamut..." - Rating: A-
Uncut (1/04, p.116) - 4 stars out of 5 - "[T]he post-Porter Parton finally gets a golden handshake from her peers. And some line-up it is."
Mojo (Publisher) (1/04, p.94) - 4 stars out of 5 - "In storytelling and melody, the elegance, economy and heartfelt clarity of Parton's writing deserves comparison with not only Hank Williams or Johnny Cash but George Gershwin or Irving Berlin."
Includes liner notes by Emmylou Harris.
Despite her numerous accomplishments as a performer, actor, and all-around media mogul, Dolly Parton has often said that she views herself primarily as a songwriter. JUST BECAUSE I'M A WOMAN goes a long way towards highlighting the craft of Parton's extraordinary songs. Unlike some cash-in tribute albums, this disc showcases artists who clearly love and respect the music in question, making for a record that bears no trace of crass commercialism.
Most tracks on the album strip the songs down to their bare essence, framing the tunes in a newgrass-like acoustic setting typical of many Sugar Hill Records releases. Notable exceptions are the two final, and most interesting, tracks. While Allison Moorer's take on "Light of a Clear Blue Morning" boasts a spooky, ethereal production that perfectly suits her husky voice, Me'Shell NdegeOcello completely deconstructs "Two Doors Down," turning a fairly straightforward 1980s pop song into a mysterious, funky, and brooding lament. Perhaps the album's best moment, though, is Joan Osborne's stunningly pure, straightforward version of "Do I Ever Cross Your Mind," which at once showcases the unaffected beauty of the singer's voice, and makes crystal clear why Dolly Parton truly deserves a tribute album.