Just After Sunset: Stories (Book) ~ Stephen King (Author) Cover Art

Just After Sunset: Stories (Book)

By: Stephen King (Author)


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Review

"[King] is a tireless storyteller...And simple, everyday situations became his open portals to fantasy and horror...[A] succinct, fast-moving collection...you can read...on a dark and stormy night and shiver."

"Like epidoses from THE TWILIGHT ZONE, many of the stories hinge upon 'a small but noticeable hole in the column of reality.' As King writes, '[I]t's how we see the world that keeps the darkness beyond the world at bay.' And as he tells the reader, 'I hope at least one of [the stories] keeps you awake for a while after the lights are out.'"

Publisher's note

A best-selling collection of short works includes pieces that appeared in The New Yorker, Playboy, and McSweeney's, in a volume where the author explores endless love at a roadside honky-tonk, an exercise bike that brings its rider on a terrifying journey, and more. Reprint

Annotation

The "king of horror" offers up a collection of wonderfully conceived and devilishly executed short stories. Stephen King's ability to cook up a fiendish conceit is legendary, and these shorter works, which have appeared previously in The New Yorker, Playboy, Esquire, and elsewhere, prove his talent for taking a Twilight Zone style premise--a cursed saloon, a mute hitchhiker, a portable lavatory that acts as a ghastly womb--and firing it to a white-hot heat in the crucible of his imagination.

Stephen King -- who has written more than fifty books, dozens of number one "New York Times" bestsellers, and many unforgettable movies -- delivers an astonishing collection of short stories, his first since "Everything's Eventual" six years ago. As guest editor of the bestselling "Best American Short Stories 2007," King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of "Just After Sunset," The stories in this collection have appeared in "The New Yorker," "Playboy," "McSweeney's," "The Paris Review," "Esquire," and other publications.

Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating -- and then terrifying -- journey. Set on a remote key in Florida, "The Gingerbread Girl" is a riveting tale featuring a young woman as vulnerable -- and resourceful -- as Audrey Hepburn's character in "Wait Until Dark," In "Ayana," a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, "N.," which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient's irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim toit.

"Just After Sunset" -- call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.



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