Inferno (CD) ~ Motorhead (Artist) Cover Art

Inferno (CD)

By: Motorhead (Artist)

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Product Description

Track Listing

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DISC 1 for Inferno (CD) Album By Motorhead (Artist)
1   Terminal Show - (with Steve Vai)
2   Killers
3   In The Name Of Tragedy
4   Suicide
5   Life's A Bitch
6   Down On Me
7   In The Black
8   Fight
9   In Year Of The Wolf
10   Keys To The Kingdom
11   Smiling Like A Killer
12   Whorehouse Blues
 

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Review

Rolling Stone (p.126) - 3 stars out of 5 - "INFERNO blazes ahead with the same full-bodied attack as on their early classics..."
Spin (p.108) - "12 remorseless slabs of punk-metal blues..." - Grade: B+
Alternative Press (p.132) - 4 out of 5 - "[P]ut it up against any screamo, hardcore or nu-metal...and the dividing line between the men and the boys comes into sharp focus."
Mojo (Publisher) (p.88) - 3 stars out of 5 - "[With] Lemmy's ever present rasp of defiance arriving over a collection of decent, sometimes very decent, rock'n'roll. There are tinges of the blues here, of punk and of metal..."

Title Note

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Motorhead: Lemmy Kilmister (vocals, guitar); Philip Campbell (guitar, background vocals); Mikkey Dee (drums).

Additional personnel: Steve Vai (guitar).

The more things change, the more Lemmy stays the same. He is a pillar of stability in the wobbly world of metal, where bands and trends come and go. Almost every Motorhead album sounds like the last, albeit with a couple new twists thrown in. And that's not a bad thing. Indeed, this 2004 platter serves up the expected blend of thrashers, mid-tempo grinders, and amped-up, old-time rock & roll, but INFERNO feels like the group's spark has been rekindled.

The most obvious infusion of energy comes from guest guitarist Steve Vai, who whips out his signature shredding technique on the thundering, rapid fire "Terminal Show" and the sludgy "Down on Me." To Vai's credit, the legendary axeman adapts to Motorhead's style instead of showboating. Other surprises surface--the melodic guitar leads of "Keys to the Kingdom" set over a bed of strings without bass or drums, and the acoustic blues ditty with harmonica ("Whorehouse Blues") that brings INFERNO to a refreshingly low-key finish. The longest running line-up in Motorhead's history proves that old dogs may not always learn new tricks, but they can reinvent the old ones just fine.

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