Illmatic (Clean Version) (Import) (CD) ~ Nas Cover Art

Illmatic (Clean Version) (Import) (CD)

By: Nas

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Product Description

Track Listing

DISC 1 for Illmatic (Clean Version) (Import) (CD) Album By Nas
1   Genesis  
2   NY State Of Mind  
3   Life's A Bitch  
4   World Is Yours  
5   Halftime  
6   Memory Lane (Sittin' In Da Park)  
7   One Love (KER69JCS)  
8   One Time 4 Your Mind  
9   Represent  
10   It Ain't Hard To Tell  
 

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Review

Vibe (6/02, p.108) - Ranked #4 in Vibe's "Top 10 rap albums" - "...As perfect as 39 hip hop minutes get..."
NME (12/24/94, p.23) - Ranked #33 in NME's list of the `Top 50 Albums Of 1994.'
The Source (4/94, p.73) - 5 Stars - Classic - "...I must maintain that this is one of the best hip-hop albums I have ever heard...No cliched metaphors, no gimmicks...Never too abstract, never superficial. Even the skit-intros are meaningful..."

Product note

Personnel: Nas, A.Z. (rap vocals); Olu Dara (trumpet).
Producers: DJ Premier, L.E.S., NAS, Pete Rock, The Large Professor, Q-Tip.
Engineers include: Eddie Sancho, Jamey Staub, Kevin Reynolds.
Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir "Nas" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favor of jazzy beats, rap noir realism and new answers to urban despair.
ILLMATIC is his story, a cautionary contemporary tale of the inner city streets, and as Nas makes plain on his opener, "The Genesis," this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage to transcend popular trends, to separate himself from the ranks of wannabes and me-toos, he may be on the verge of inaugurating some stylistic changes of his own.
Production-wise, Nas has gathered together some of the superstars of the hip hop underground, producers the likes of Q-Tip, Pete Rock, L.E.S., DJ Premier and The Large Professor, but it is Nas' unique rhythmic cadences, his idiomatic sense of on-the-street wordplay, his disrespect for the high time and the empty rhyme that distinguishes ILLMATIC. When Nas rocks the mic, it's not a hedonist's wet dream, but a depiction of urban hope and despair, and thanks to Nas' poetic insights, he soon transports you there (in a manner seldom seen in black pop since the days of Stevie's INNERVISIONS and Marvin Gaye's WHAT'S GOIN' ON?).

Album Description

Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir "Nas" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favour of jazzy beats, rap noir realism and new answers to urban despair.
ILLMATIC is his story, a cautionary contemporary tale of the inner city streets, and as Nas makes plain on his opener, "The Genesis", this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage to transcend popular trends, to separate himself from the ranks of wannabes and me-toos, he may be on the verge of inaugurating some stylistic changes of his own.
Production-wise, Nas has gathered together some of the superstars of the hip hop underground, producers the likes of Q-Tip, Pete Rock, L.E.S., DJ Premier and The Large Professor, but it is Nas' unique rhythmic cadences, his idiomatic sense of on-the-street wordplay, his disrespect for the high time and the empty rhyme that distinguishes ILLMATIC. When Nas rocks the mic, it's not a hedonist's wet dream, but a depiction of urban hope and despair, and thanks to Nas' poetic insights, he soon transports you there (in a manner seldom seen in black pop since the days of Stevie's INNERVISIONS and Marvin Gaye's WHAT'S GOIN' ON?).

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