I Choose To Sing The Blues (Import) (CD) ~ Duster Bennett Cover Art

I Choose To Sing The Blues (Import) (CD)

By: Duster Bennett


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Product Description


Track Listing

DISC 1 for I Choose To Sing The Blues (Import) (CD) Album By Duster Bennett
1   Love Me Like You Can  
2   Sleeping In The Ground  
3   I'm Gonna Wind Up Ending Up Or I'm Gonna End Up Winding Up W  
4   Jumping At Shadows  
5   Further On Up The Road  
6   What A Dream  
7   Hot Roddin'  
8   Rock Of Ages Cleft For Me  
9   Life Is What You Make It  
10   I Worship The Ground You Walk On  
11   Just Like A Fish  
12   I Chose To Sing The Blues  
13   Just Like I Treat You  
14   Bright Lights Big City  
15   Love My Baby  
16   Turn On Your Lovelight  
17   I've Been Down So Long  
18   Mary Mary  
19   Playing My Riff  
20   I'm The One  
21   Glendora  
 


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Product note

Contains 20 tracks, all of which are previously unreleased.

Album Description

Igniting what would develop into one of the most fascinating archive trawls that the British blues scene has ever undergone, I Choose to Sing the Blues is the first of three volumes highlighting the vast wealth of rare and unreleased material cut by Duster Bennett between 1965 and his death in 1976. With just one exception, this album's closing one-man jug band, "Glendora," the earliest material of all, from 1965-1967, is contained on the third of the discs, Shady Little Baby; volume one, meanwhile, covers the years 1968-1971, during which Bennett's public profile was at, perhaps, its highest. Several tracks here are familiar from Bennett's years with the Blue Horizon label -- "I'm Gonna Wind Up Ending Up" and his spine-tingling interpretation of the hymn "Rock of Ages, Cleft for Me" included. There's also a churning medley of "I Choose to Sing the Blues" and "Just Like I Treat You," recorded with longtime colleague Top Topham, while the live "Bright Lights, Big City" is nothing short of a riotous celebration. Perhaps the most interesting material, however, is found among the recordings dating from the early '70s, with Bennett now working without a record contract but maintaining his place among Britain's best loved blues performers with a diaryful of club dates. Unless one was lucky enough to catch him live during this period, there is an entire corpus of material that lies unheard, and the tracks that close this collection open up those vistas to both old and new fans. ~ Dave Thompson


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