The House Of Love (Fontana) (CD) ~ The House Of Love (Artist) Cover Art

The House Of Love (Fontana) (CD)

By: The House Of Love (Artist)


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The House Of Love Artist Snapshot:

With their shimmering guitars, effortless melodicism, and cavernous production, the House of Love swirled into the hearts of British music fans and critics in the late 1980s. On a series of well-received singles and a stunning '87 debut album on the influential Creation Records label, they embodied the darkly romantic aesthetics of the mushrooming shoegazer movement. A move to the Fontana label produced another long-player that charted high in the U.K., but subsequent line-up changes and inter-member strife began to take their toll on the band's creative output. By the turn of the decade, the more stripped-down approach of grunge and the dance-happy thrust of rave culture made the band's reverb-y poeticism seem a little pass‚ for the fickle British music press, but the band soldiered on 'til their demise in 1993. A 2005 reunion album of the original line-up garnered great reviews.


Product Description


Track Listing

DISC 1 for The House Of Love (Fontana) (CD) Album By The House Of Love (Artist)
1   Hedonist  
2   Shine On  
3   Beatles And The Stones  
4   Shake And Crawl  
5   Hedonist  
6   I Don't Know Why I Love You  
7   Never  
8   Someone's Got To Love You  
9   Never  
10   Someone's Got To Love You  
11   In A Room  
12   Blind  
13   32nd Floor  
14   Sedest  
 


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Review

Rolling Stone (6/28/90) - 3 Stars - Good - "...a focused guitar outfit... earns its own distinctive response."
Entertainment Weekly - "strikingly soft-spoken" - Rating: A-
Q (7/96, p.139) - 3 Stars - Good - "...the weird highlight of a polite...though better-written, Bunnymenlike album..."

Title Note

Following the combination of indie success and massive hype leading up to the band's first album proved to be too much for the original lineup, with Bickers leaving after a series of problems and pressures once the group signed to Fontana. Yet rarely has a fraught series of recording sessions resulted in something so flat-out stunning. The House of Love's second self-titled album in a row -- third counting the German singles comp -- remains something of a high-water mark in what can loosely be termed U.K. post-punk music, acting as an effective final statement before the onslaughts of Madchester, grunge, and Brit-pop. It's almost impossible to tell who is more responsible for what on the album, given its stitched-together nature, but whatever Bickers contributes matches Chadwick's cool but never cold performances note for note, and the result is deep blue rapture. Starting with the snaky crawl of "Hannah," sidling in over a series of echoed guitar notes, the 12-song collection does everything from revisiting past heights to scaling new ones. "Shine On" gets re-recorded in an arguably much more powerful performance, Evans' drums and Bickers pounding away out in front, while one early B-side, "The Hedonist," is turned from a light acoustic number into a evocative modern blues. Another, "Blind," is changed very little, its simple fragility still holding a soft sway. Everything else is new and quite often stunning, building on the combination of power and emotion from the first album perfectly. "I Don't Know Why I Love You" remains the group's definitive single, three and a half minutes of romantic angst matched by a fiery, perfectly arranged performance. "Beatles and the Stones," meanwhile, far from being a nostalgia piece, refers to the bands in question as "[making] it good to be alone," with a rich, melancholic acoustic performance to boot. Add in the fiery performances on songs like "32nd Floor" or "In a Room" and the result is a true lost classic. ~ Ned Raggett



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