Hits And Exit Wounds (CD) ~ Alabama 3 (Artist) Cover Art

Hits And Exit Wounds (CD)

By: Alabama 3 (Artist)


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Product Description


Track Listing

DISC 1 for Hits And Exit Wounds (CD) Album By Alabama 3 (Artist)
1   Hypo Full Of Love  
2   Woke Up This Morning  
3   Hello I'm Johnny Cash  
4   Mao Tse Tung Said  
5   Mansion On The Hill (Arthur Baker remix)  
6   U Don't Danse To Techno Anymore  
7   How Can I Protect You (Dope mix)  
8   Woody Guthrie  
9   Ain't Goin' To Goa  
10   Monday Don't Mean Anything  
11   Sad Eyed Lady Of The Low Life  
12   Amos Moses  
13   Too Sick To Pray  
14   Up Above My Head  
15   REHAB  
16   Speed Of The Sound Of Lonliness  
17   Ska'd For Life  
18   Peace In The Valley  
 


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Review

Q (Magazine) (p.154) - 3 stars out of 5 -- "[W]ryly titled, satirical affairs such as 'Sad Eyed Lady Of The Low Life,' are imbued with a narcotic potency."

Review

Q (Magazine) (p.154) - 3 stars out of 5 -- "[W]ryly titled, satirical affairs such as 'Sad Eyed Lady Of The Low Life,' are imbued with a narcotic potency."
Record Collector (magazine) (p.82) - 4 stars out of 5 -- "The group's socially responsible side matures throughout: alongside the acid house grooves and real love for gospel and blues there remains a constant rooting for the underdog."

Product note

Perhaps best known in America for providing the soundtrack to the opening credits of THE SOPRANOS, Alabama 3 have been churning out their strange hybrid of canned Americana mashed with contemporary dance for over a decade. HITS AND EXIT WOUNDS is their first retrospective, and it succeeds in providing a concise and inclusive collection of their output, as well as being a fitting introduction to the band. Brits masquerading as simple Southern folk is nothing new, but the tenuous marriage of style they exploit in different ways in their songs is novel. Ultimately, most of the tracks avoid kitsch in either their inventive production or the odd inclusion of leftist and/or Situationist rhetoric.

Title Note

Perhaps best known in America for providing the soundtrack to the opening credits of THE SOPRANOS, Alabama 3 have been churning out their strange hybrid of canned Americana mashed with contemporary dance for over a decade. HITS AND EXIT WOUNDS is their first retrospective, and it succeeds in providing a concise and inclusive collection of their output, as well as being a fitting introduction to the band. Brits masquerading as simple Southern folk is nothing new, but the tenuous marriage of style they exploit in different ways in their songs is novel. Ultimately, most of the tracks avoid kitsch in either their inventive production or the odd inclusion of leftist and/or Situationist rhetoric.

Album Description

Perhaps best known in America for providing the soundtrack to the opening credits of THE SOPRANOS, Alabama 3 have been churning out their strange hybrid of canned Americana mashed with contemporary dance for over a decade. HITS AND EXIT WOUNDS is their first retrospective, and it succeeds in providing a concise and inclusive collection of their output, as well as being a fitting introduction to the band. Brits masquerading as simple Southern folk is nothing new, but the tenuous marriage of style they exploit in different ways in their songs is novel. Ultimately, most of the tracks avoid kitsch in either their inventive production or the odd inclusion of leftist and/or Situationist rhetoric.



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