Hatfield And The North (CD) ~ Hatfield & The North (Artist) Cover Art

Hatfield And The North (CD)

By: Hatfield & The North (Artist)

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Product Description

Track Listing

DISC 1 for Hatfield And The North (CD) Album By Hatfield & The North (Artist)
1   THE STUBBS EFFECT  
2   BIG JOBS (POO POO EXTRACT)  
3   GOING UP TO PEOPLE AND TINKLING  
4   CALYX  
5   SON OF 'THERE'S NO PLACE LIKE HOMERTON  
6   AIGRETTE  
7   RIFFERAMA  
8   FOL DE ROL  
9   SHAVING IS BORING  
10   LICKS FOR THE LADIES  
11   BOSSA NOCHANCE  
12   BIG JOBS NO.2 (BY POO AND THE WEE WEES)  
13   LOBSTER IN CLEAVAGE PROBE  
14   GIGANTIC LAND CRABS IN EARTH TAKEOVER BID  
15   THE OTHER STUBBS EFFECT  
16   LET S EAT REAL SOON  
17   FITTER STOKE HAS A BATH  
18   YOUR MAJESTY IS LIKE A CREAM DONUT /OH WHAT A LONE  
 

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Review

Record Collector (magazine) (p.88) - 5 stars out of 5 -- "[E]ssential....[With] the extra thrill of Robert Wyatt's wordless, weightless guest vocal on 'Calyx'..."

Review

Record Collector (magazine) (p.88) - 5 stars out of 5 -- "[E]ssential....[With] the extra thrill of Robert Wyatt's wordless, weightless guest vocal on 'Calyx'..."

Product note

Hatfield & The North: Richard Sinclair (vocals, bass); Phil Miller (guitar); Dave Stewart (piano, organ, synthesizer); Pip Pyle (drums).
Additional personnel: Robert Wyatt, Amanda Parsons, Barbara Gaskin, Ann Rosenthal (vocals); Geoff Leigh (flute, saxophone); Jeremy Baines (pixiephone).

Title Note

Hatfield & The North: Richard Sinclair (vocals, bass); Phil Miller (guitar); Dave Stewart (piano, organ, synthesizer); Pip Pyle (drums).

Additional personnel: Robert Wyatt, Amanda Parsons, Barbara Gaskin, Ann Rosenthal (vocals); Geoff Leigh (flute, saxophone); Jeremy Baines (pixiephone).

Album Description

One of the Canterbury scene's most revered bands, Hatfield and the North made up for the brevity of their career with some fascinating music. Always adventurous, the quartet had the keen sense to realize that only the most hardened jazz fans respond to numerous key changes and exceedingly complex time signatures, and thus enlivened their live set with the odd gnome smashing, suggestive lyrics, and jokey song titles. It worked a charm, with the band quickly amassing a large, loyal following at home in Britain and across the continent. On their eponymous debut, Hatfield stunningly succeeded in translating both their sense of fun and their musical brilliance onto disc. After a bit of light humor, the band slide into "Going Up to People and Tinkling", which glides gloriously across the keys and rhythm shifts. Both "Calyx" and "Aigrette" experiment with vocals as an instrument, while the exuberant "Rifferama" is a master class on the use of riffs. However, it's the expansive "Son of `There's No Place like Homerton'" that is this side of the album's centerpiece, a propulsive, keyboard driven piece that still awaits a modern dance troop's attention.

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