Amazon Best of the Month, September 2010: At the heart of Edmund de Waal''s strange and graceful family memoir, The Hare with Amber Eyes, is a one-of-a-kind inherited collection of ornamental Japanese carvings known as netsuke. The netsuke are tiny and tactile--they sit in the palm of your hand--and de Waal is drawn to them as "small, tough explosions of exactitude." He''s also drawn to the story behind them, and for years he put aside his own work as a world-renowned potter and curator to uncover the rich and tragic family history of which the carvings are one of the few concrete legacies. De Waal''s family was the Ephrussis, wealthy Jewish grain traders who branched out from Russia across the capitals of Europe before seeing their empire destroyed by the Nazis. Beginning with his art connoisseur ancestor Charles (a model for Proust''s Swann), who acquired the netsuke during the European rage for Japonisme, de Waal traces the collection from Japan to Europe--where they were saved from the brutal bureaucracy of the Nazi Anschluss in the pockets of a family servant--and back to Japan and Europe again. Throughout, he writes with a tough, funny, and elegant attention to detail and personality that does full justice to the exactitude of the little carvings that first roused his curiosity. --Tom Nissley
In the 1870s, Charles Ephrussi assembled a collection of 360 Japanese ivory carvings known as netsuke, some comical and some erotic, none of them larger than a matchbox. The scion of a rich, respected banking family that ?burned like a comet” in Parisian and Viennese society, Ephrussi was an early supporter of the impressionists; Marcel Proust was briefly his secretary and used him as the model for the aesthete and lover Swann in Remembrance of Things Past.
The Holocaust swept Ephrussi and his glorious, cosmopolitan family into oblivion, and almost the only thing that would remain of their vast empire was the netsuke collection, smuggled out of their Vienna palace (now occupied by Hitler’s theorist on the ?Jewish question”) in the pocket of a loyal maid, Anna?one carving a day for a year.
In this grand story, the renowned ceramicist Edmund de Waal, the fifth generation to inherit the collection, traces the story of a remarkable family and a tumultuous century. At once sweeping and intimate, A Hare with Amber Eyes is a deeply personal meditation on art, history, and family, as elegant and precise as the netsuke themselves.
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