Gypsy In My Soul (CD) ~ Connie Evingson (Artist) Cover Art

Until

By: Connie Evingson


Price from: $0.89
Provider: Amazon US
Availability: Download available
Also Available in: [CD]

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DISC 1 for Gypsy in My Soul (CD) Album By Connie Evingson Amazon.com iTunes
1   Nature Boy Buy Buy
2   I'm Confessin' Buy Buy
3   Gypsy in My Soul Buy Buy
4   Nuages Buy Buy
5   Lover Come Back to Me Buy Buy
6   Lullaby of the Leaves Buy Buy
7   Until Buy Buy
8   April in Paris Buy Buy
9   Caravan Buy Buy
10   The Lonely One Buy Buy
11   Night and Day Buy Buy
12   You and the Night and the Music Buy Buy
13   Django's Premonition (Anouman) Buy Buy
14   I Cover the Waterfront Buy Buy

Product Description



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Album Description

"Hot Club Swing" in the style of Django Reinhardt, with vocals! Jazz vocalist Connie Evingson sings with three different Hot Club groups: Pearl Django, Parisota Hot Club and Clearwater Hot Club. This CD features tunes typical of the genre ("Caravan", "Night and Day", "I'm Confessin"), Django originals ("Nuages", "Anouman"), and some unusual offerings by Sting ("Until") and Dizzy Gillespie ("Dizzy Atmosphere").

Product Notes

With Gypsy in My Soul, Connie Evingson goes from cool Beatles to hot jazz. As a follow-up to her Let It Be Jazz, Evingson pays tribute to one of the most distinctive and wonderful sounds in jazz history, the French hot clubs of guitarist Django Reinhardt in the 1930s and '40s. Assisting her are three different bands, Parisota Hot Club and Clearwater Hot Club from her Minnesota home and Pearl Django from Seattle. All have the guitar-led sound just like Django Reinhardt, while Clearwater and Pearl Django add the violin that also helped make the Django sound distinctive (in his case, most famously by Stephane Grappelli). (Parisota substitutes a clarinet, which was a lesser-known aspect of the Django sound.) The groups' sound is also supplemented by accordion (Dan Chouinard and Patrick Harrison), vibes (Susan Pascal), and other instruments. Gypsy in My Soul isn't a note-by-note re-creation: Django didn't use vocals (Evingson provides lyrics to his "Anouman" music for "Django's Premonition" and she sings Susannah McCorkle's lyrics to his "Nuages"), and though he did perform American standards, those wouldn't have included Sting's "Until" or the Nat "King" Cole hit "Nature Boy." But it's a fun listen on its own terms, and might open up a new audience for Django. --David Horiuchi



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