The Great Twenty-Eight (CD) ~ Chuck Berry (Artist) Cover Art

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The Great Twenty-Eight (CD)

By: Chuck Berry (Artist)

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Product Description

Track Listing

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DISC 1 for The Great Twenty-Eight (CD) Album By Chuck Berry (Artist)
1   Maybellene
2   30 Days
3   You Can't Catch Me
4   Too Much Monkey Business
5   Brown-Eyed Handsome Man
6   Roll Over Beethoven
7   Havana Moon
8   School Days
9   Rock And Roll Music
10   Oh Baby Doll
11   Reelin' And Rockin'
12   Sweet Little Sixteen
13   Johnny B. Goode
14   Around And Around
15   Carol
16   Beautiful Delilah
17   Memphis
18   Sweet Little Rock And Roller
19   Little Queenie
20   Almost Grown
21   Back In The USA
22   Let It Rock
23   Bye Bye Johnny
24   I'm Talking About You
25   Come On
26   Nadine
27   No Particular Place To Go
28   I Want To Be Your Driver
 


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Review

Rolling Stone (4/11/02, p.105) - Ranked #4 in Rolling Stone's "50 Coolest Records" - "...This man and these songs are the reason cool lives..."
Rolling Stone (12/11/03, p.104) - Ranked #21 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Singer and songwriter extraordinaire Berry released a string of singles that defined the sound and spirit of rock & roll..."

Title Note

Personnel: Chuck Berry (guitar, vocals); Jimmy Rogers, Matt Murphy (guitar); L.C. Davis (tenor saxophone); Gene Barge (saxophone); Johnny Johnson, Lafayette Leake, Otis Spann, Paul Williams (piano); Willie Dixon, G. Smith (bass); Ebby Harding, Fred Below, Jasper Thomas, Odie Payne (drums); Jerome Green (percussion); The Equadors, The Moonglows (background vocals); Martha Berry.

Recorded at Chess Studios, Chicago, Illinois and London, England. Includes liner notes by Michael Lydon.

A seminal figure in the evolution of rock 'n' roll, Chuck Berry's influence as songwriter and guitarist is incalculable. His cogent songs captured adolescent life, yet the artist was 30 years old when he commenced recording. In 1955, during a chance visit to Chicago, Berry met bluesman Muddy Waters, who advised the young singer to approach the Chess label. Berry's demo of 'Ida May', was sufficient to win a recording contract and the composition, retitled 'Maybellene', duly became his debut single. Berry enjoyed further hits with 'Thirty Days' and 'No Money Down', but it was his third recording session that proved even more productive, producing a stream of classics, 'Roll Over Beethoven', 'Too Much Monkey Business' and 'Brown-Eyed Handsome Man'. The artist's subsequent releases read like a lexicon of pop history - 'School Days', 'Rock And Roll Music' (all 1957), 'Sweet Little Sixteen', 'Reelin' And Rockin', 'Johnny B. Goode' (1958), 'Back In The USA', 'Let It Rock' (1960) and 'Bye Bye Johnny' (1960) are but a handful of the peerless songs written and recorded during this prolific period. Berry was inducted into the Rock And Roll Hall Of Fame in 1986. His stature as an essential figure in the evolution of popular music cannot be underestimated.



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