The Good, The Bad & The Ugly (Remaster) (CD) ~ Original Soun... Cover Art

The Good, The Bad & The Ugly (Remaster) (CD)

By: Original Soundtrack

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Product Description

Track Listing

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DISC 1 for The Good, The Bad & The Ugly (Remaster) (CD) Album By Original Soundtrack
1   IL Buono, IL Cattivo, IL Brutto
2   IL Tramonto
3   Sentenza
4   Fuga A Cavallo
5   IL Ponte Di Corde
6   IL Forte
7   Inseguimento
8   IL Deserto
9   La Carrozza Dei Fantasmi (The Carriage Of The Spirits)
10   La Missione San Antonio
11   Padre Ramirez
12   Marcetta
13   La Storia De Un Soldato
14   IL Treno Militare
15   Fine Di Una Spia
16   IL Bandito Monco
17   Due Contro Cinque
18   Marcetta Senza Speranza
19   Morte Di Un Soldato
20   L'Estasi Dell'oro
21   IL Triello
 

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Title Note

This is an Enhanced CD, which contains both regular audio and multimedia computer files.

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Composer: Ennio Morricone.

The whistling trill that opens the main theme to THE GOOD, THE BAD & THE UGLY is so familiar as to be a cultural touchstone. Even an abbreviated sound byte of the theme is enough to conjure images of desolate desert plains, rolling tumbleweeds, and a cowboy-booted figure standing ominously in the distance. These images come from Sergio Leone's "spaghetti" Westerns (so called because they were shot in Italy), while the sounds--created to aid Leone's existential narratives--are the work of the legendary Ennio Morricone.

Along with Bernard Herrmann and Nino Rota, Morricone is one of the most successful, accomplished, and well-known film composers of the 20th century. Like much of his work, the soundtrack to THE GOOD, THE BAD & THE UGLY utilizes unconventional instrumentation. Peculiar vocal calls, clanging auxiliary percussion, and electric guitars (which often employ a Dick Dale-like surf twang) trade off with a full complement of strings. The music is startlingly eclectic, moving from folk melodies to avant-garde dissonance to plaintive ballads to delicate ambience. Although the range of his career output is formidable, Morricone is perhaps best known for the soundtrack to this allegory of Civil War lawlessness, and it remains one of his finest achievements.

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