God Save The Clientele (CD) ~ The Clientele (Artist) Cover Art

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God Save The Clientele (CD)

By: The Clientele (Artist)


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Product Description


Track Listing

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DISC 1 for God Save The Clientele (CD) Album By The Clientele (Artist)
1   Here Comes The Phantom
2   I Hope I Know You
3   Isn't Life Strange?
4   Dance Of The Hours, The
5   From Brighton Beach To Santa Monica
6   Winter On Victoria Street
7   Queen Of Seville, The
8   These Days Nothing But Sunshine
9   Somebody Changed
10   No Dreams Last Night
11   Carnival On 7th Street
12   Bookshop Casanova
13   Garden At Night, The
14   Dreams Of Leaving
 


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Review

Spin (p.92) - 3 stars out of 5 -- "These Londoners specialize in melancholic, Beatles-esque melodies....'Here Comes The Phantom'...and the disco-inflected 'Bookshop Casanova' are the album's best moments."
Uncut (p.89) - 3 stars out of 5 -- "The featherlight guitars and intervals of spoken word are intriguing. 'Bookshop Casanova', sharp as a kitten's claw, is a real pop breakthrough."
Magnet (p.91) - "[T]here's plenty of shivering tremolo, long-shadow reverb and tempos slowed down to the sound of a single raindrop breaking the surface of a winter lake."

Title Note

The Clientele: Alasdair MacLean (acoustic guitar); James Hornsey (bass instrument); Mark Keen (drums); Mel Draisey (background vocals).

Additional personnel: Hornsey, Keen, Maclean (vocals); Pat Sansone (12-string guitar); Pete Finney (pedal steel guitar); Geraldine Bereen, Elenaor Gilchrist (violin); Teresa Whipple (viola); Abigail Trundle (cello); Tony Crow (synthesizer); Mark Nevers (unknown instrument); Lupe Nunez-Fernandez, Louis Philippe (background vocals).

On their third full-length album, the Clientele dial back on the overt 1960s influences of their first two albums to include some slightly more contemporaneous references. The resulting album, GOD SAVE THE CLIENTELE, crosses the band's trademark sunshiny pop tunes with some echoes of contemporaries like Of Montreal, the Apples in Stereo, and Lambchop, whose Mark Nevers produces here. Bits of 1970s-style country rock infiltrate the Scottish popsters' tunes here and there, as on the opening "Here Comes the Phantom" and the aching "No Dreams Last Night," while the psychedelic, largely whispered "The Dance of the Hours" and the dramatic "The Garden At Night" emphasize the Clientele's often hidden trippy side.



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