Genuine Negro Jig (CD) ~ The Carolina Chocolate Drops (... Cover Art

Genuine Negro Jig (CD)

By: Carolina Chocolate Drops


List Price: $15.98
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Track Listing

MP3 Downloads
 
Amazon.com Album                 
 
DISC 1 for Genuine Negro Jig (CD) Album By Carolina Chocolate Drops Amazon.com iTunes
1   Peace Behind The Bridge Buy Buy
2   Trouble In Your Mind Buy Buy
3   Your Baby Ain't Sweet Like Mine Buy Buy
4   Hit 'Em Up Style Buy Buy
5   Cornbread And Butterbeans Buy Buy
6   Snowden's Jig [Genuine Negro Jig] Buy Buy
7   Why Don't You Do Right? Buy Buy
8   Cindy Gal Buy Buy
9   Kissin' And Cussin' Buy Buy
10   Sandy Boys Buy Buy
11   Reynadine Buy Buy

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Album Description

The Carolina Chocolate Drops are as much about revelation as revival. On its Nonesuch debut, Genuine Negro Jig, the trio brings exuberance, humor, virtuosity and an infectious
acoustic groove to its exploration of a near-forgotten brand of banjo-driven string-band music originating more than a century ago in the foothills of North Carolina, the Piedmont region where band members Rhiannon Giddens and Justin Robinson were raised. In this rural area, musicians, both black and white, once shared and swapped tunes. Over the decades, the importance of the African-American role in string-band music was diminished, its sound and significance
co-opted by minstrel shows and segregated by record labels. CCD -- under the tutelage of nonagenarian fiddler player Joe Thompson, one of the last surviving Piedmont musicians - have reclaimed the old-time songs, making them vital and fresh for right now, reasserting in the process the African roots of the banjo.
The Carolina Chocolate Drops have won over crowds at the Newport Folk Festival, on such National Public Radio shows as Mountain Stage and A Prairie Home Companion, and on tours through Europe. Denzel Washington personally selected the trio to appear in his critically acclaimed 2007 directorial effort, The Great Debaters. In a review of a CCD Kennedy Center performance, The Washington Post declared, ''Their set was anything but academic... these instrument-swapping residents of Durham, N.C., kept the audience active with speedy strumming, jug-blowing and percussion via carved
hand-held bones and foot-banging syncopation.'' The Boston Globe concurred: ''The acoustic trio - banjo, fiddle, guitar - managed the minor miracle of evoking a sepia- drenched era of mountain music... Giddens, Robinson and Dom Flemons, all multi- instrumentalists and vocalists, conveyed their deep knowledge with a sense of reverence and studied antiquity- including their simple, era-appropriate costumes - and a contagious, abundant joy.''
After two self-recorded independent releases, CCD chose to work with producer Joe Henry on Genuine Negro Jig. As with his production on Allen Toussaint''s The Bright Mississippi, Henry emphasizes simplicity, clarity, interaction; with its striking lack of studio frills, the emphasis is on the spirit of these performances, which are often as intense as they are exhilarating.
Uptempo numbers like live-show favorite ''Cornbread and Butterbeans'' and ''Sandy Boys'' are immediate standouts, though slow-burning, moody tracks like ''Kissin'' and Cussin'' and ''Snowden''s Jig (Genuine Negro Jig)'' prove to be
downright haunting. The versatile Giddens performs the Celtic-style balladry of ''Reynadine'' acapella; she''s equally convincing taking lead on a brilliant recasting of the 2001 Blu Cantrell R&B-dance hit, ''Hit Em Up Style'' Genuine Negro Jig starts out with the specific but winds up with the universal; this is music that has literally traveled continents and
centuries to achieve a brand new relevance, a shared history still in the making.



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