The G Spot (CD)

• Category:  Music  »  R&B  »  Pop R&B
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: October 15, 2002
• Label: Elektra Entertainment
• UPC: 075596279529
• WAPI (Tower ID): 106060650
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #42618 in Music (See Top 100 Music Bestsellers)
• #2262 in R&B (See Top 100 R&B Bestsellers)
• #280 in Pop R&B (See Top 100 Pop R&B Bestsellers)

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This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.

Personnel includes: Gerald Levert (vocals); Mystikal (rap vocals); Roy Ayers (scat vocals, vibraphone); Randall Bowland (guitar, keyboards, synthesizer, bass); Emma Kummrow, Igor Szwec (violin); Peter Nocella, Alexandra Leem (viola); Jeannie Lorenzo, Mark Ward (cello); Paris Bowens II (Fender Rhodes piano, synthesizer); Niles McKinney (Wurlitzer piano, organ); Derrick Hodge, Douglas Grisby (bass); Pablo Batista (percussion); Edwin Nicholas (programming, sequencing); Flemuel Brown III (programming).

This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.

With cover art reminiscent of the golden era of the Ohio Players, THE G SPOT displays its seductive intentions from the outset. It doesn't disappoint. Gerald Levert is a past master at constructing the kind of slinky, satin-lined grooves that have launched countless hot, sexy nights. The album's opener, "Too Much Room," with its danceable yet beguiling arrangement is a mere hint of the delights to come. "Since You Ain't Around" is classic R&B and classic Levert, but the album reveals its true intentions with "Funny," a slow, steady, hooky song in the classic slow jam tradition.

Levert's vocals, while not exactly in the Barry White mold, are reassuringly sonorous, and when the mood strikes him he can hit the high notes like a latter-day Marvin Gaye. The real high points of THE G SPOT come with "The Top of My Head" and the Roy Ayers-accompanied title track, a pair of mesmerizing, sinuous jams, the latter featuring Levert scat-singing to Ayers' vibes. If you can't score with this album, it won't be Gerald Levert's fault.

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