Future Blues (Remaster) (Import) (CD) ~ Canned Heat (Artist) Cover Art

Future Blues (Remaster) (Import) (CD)

By: Canned Heat (Artist)


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Product Description


Track Listing

DISC 1 for Future Blues (Remaster) (Import) (CD) Album By Canned Heat (Artist)
1   Sugar Bee - (studio)  
2   Shake It And Break It - (studio)  
3   That's All Right Mama - (studio)  
4   My Time Ain't Long - (studio)  
5   Skat - (studio)  
6   Let's Work Together - (studio)  
7   London Blues - (studio)  
8   So Sad (The World Is A Tangle) - (studio)  
9   Future Blues - (studio)  
10   Let's Work Together - (studio, Single Version)  
11   Skat - (studio, Bonus)  
12   Wooly Bully - (studio, bonus)  
13   Christmas Blues - (studio, bonus)  
14   Chipmunk Song, The - (studio, bonus)  
 


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Review

Rolling Stone (12/2/70, p.54) - "...if you're a Canned Heat fan, you'll find this record right up there with their finest..."

Review

Rolling Stone (12/2/70, p.54) - "...if you're a Canned Heat fan, you'll find this record right up there with their finest..."

Product note

This outing by the blues-rock ensemble Canned Heat includes "Shake It and Break It," "Skat," and "Let's Work Together."
Remastered edition.

Title Note

This outing by the blues-rock ensemble Canned Heat includes "Shake It and Break It," "Skat," and "Let's Work Together."

Remastered edition.

Album Description

The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama." Dr. John appears, playing piano on the dark, ominous "London Blues," and arranges the horns on "Skat," which tries for a completely different kind of sound -- late-'40s-style jump blues -- than that for which the group was usually known. And the band also turns in a powerhouse heavy guitar version of Wilbert Harrison's "Let's Work Together." ~ Bruce Eder



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