The Folkways Years: 1959-1973 (CD) ~ Memphis Slim (Artist) Cover Art

Key to the Highway

By: Memphis Slim (Artist)


Price from: $0.99
Provider: Amazon US
Availability: Download available
Also Available in: [CD]

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Other tracks from this album

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DISC 1 for Folkways Years 1959-73 (CD) Album By Memphis Slim (Artist) Amazon.com iTunes
1   Joogie Boogie Buy Buy
2   I Left That Town-Harlem Bound Buy Buy
3   Key to the Highway Buy Buy
4   Chicago Rent Party Buy Buy
5   Stewball Buy Buy
6   The Dirty Dozens Buy Buy
7   Beer Drinking Woman Buy Buy
8   Walking Blues Buy Buy
9   Pinetop's Boogie Woogie Buy Buy
10   San Juan Blues Buy Buy
11   Prison Bound Buy Buy
12   If the Rabbit Had a Gun Buy Buy
13   Backwater Blues Buy Buy
14   You Name It Buy Buy
15   M&O Blues Buy Buy
16   Every Day I Have the Blues Buy Buy
17   Just a Dream Buy Buy
18   Midnight Special Buy Buy
19   The Bells Buy Buy
20   Mean Old Frisco Buy Buy

Product Description



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Album Description

This collection contains the best of blues pianist Memphis Slim's Folkways years and includes 3 previously unreleased tracks. The CD features solo performances, small ensembles, and accompaniment by Folkways artists including Willie Dixon, Jazz Gillum, and Pete Seeger. Slim plays highly personal interpretations of classic and original blues. 32 page booklet, extensive notes, lyrics, and photos. 65 minutes.

Product Notes

Urban enough to connect with inner-city blues fans and flexible enough to forge new audiences among starry-eyed blues revivalist on both sides of the Atlantic, Memphis Slim was what would now be called a crossover artist. Like his friend and frequent musical foil Willie Dixon, the pianist-vocalist was amiable and adaptable--characteristics that also came across in their music. The Folkways Years captures the man born Peter Chapman in a variety of sessions cut over a decade and a half. Slim and Dixon tackle "Joggie Boogie," "Stewball," "Beer-Drinking Woman," and Slim's trademark tune "Everyday I Have the Blues." A number of solo tracks and small ensemble pieces (many including guitarist Matt Murphy) add texture to the collection. And there's even a rather stiff Slim-Dixon-Pete Seeger take on "Midnight Special" that illustrates producer and Folkways head Moses Asch's efforts to give Memphis Slim's sophisticated blues a folksy slant. The handsome package and 65-page illustrated booklet add value to this satisfying anthology. --Steven Stolder



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