Falling In Between (Import) (CD) ~ Toto (Artist) Cover Art

Falling In Between (Import) (CD)

By: Toto (Artist)


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Product Description


Track Listing

DISC 1 for Falling In Between (Import) (CD) Album By Toto (Artist)
1   Falling In Between  
2   Dying On My Feet  
3   Bottom Of Your Soul  
4   King Of The World  
5   Hooked  
6   Simple Life  
7   Taint Your World  
8   Let It Go  
9   Spiritual Man  
10   No End In Sight  
11   Reeferman, The - (Bonus Track)  
 


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Title Note

Personnel: Steve Lukather (vocals, guitar, piano); David Paich, Greg Phillinganes (vocals, keyboards); Jason Scheff (vocals, background vocals); Joseph "Gospel Joe" Williams, Bobby Kimball (vocals); Ian Anderson (flute); Ray Hermann, Tom Scott (tenor saxophone); Roy Hargrove (trumpet, flugelhorn); Lee Thornburg (trumpet); James Pankow (trombone); Steve Porcaro (synthesizer); Simon Phillips (drums, percussion, programming); Lenny Castro (percussion).

Audio Mixer: Steve MacMillan.

Recording information: ATS Studio (02/2005-10/2005); Phantom Recordings, Sherman Oaks, CA (02/2005-10/2005); Steve's Studio (02/2005-10/2005).

Photographer: Pamela Springsteen.

At this point in their career, Steve Lukather and Toto really have nothing to prove to anyone in the rock & roll community. They've accumulated more Top Ten hits with their ballads alone than most bands have their entire career, to say nothing of rock anthems that became cornerstones of arena rock during the '70s and '80s. And while it's been nearly a decade since original material was issued (2002's Through the Looking Glass was an album consisting of cover versions), Falling in Between sounds like a band trying to find itself during a midlife crisis. The title track, while adventurous by Toto's standards with its mixed-metered time signatures and Middle Eastern influences, sounds exactly like the prog rock heroes they aspire to emulate (confirmed by the track-by-track commentary provided in the liner notes). "Dying on My Feet" sounds like a cross between '80s-era Chicago and Foreigner, thanks in no small part to Chicago's James Pankow contributing horn arrangements and playing trombone on the tune. Things do get better along the way. The band finally finds its footing midway through, delivering well-polished performances, and Lukather's voice has stood the test of time surprisingly intact, especially when compared to some of his contemporaries. And while there's no new ground being trodden here, the band sounds fantastic thanks to amazing production values, delivering material that can stand up to some of their best stuff. ~ Rob Theakston

At this point in their career, Steve Lukather and Toto really have nothing to prove to anyone in the rock & roll community. They've accumulated more Top Ten hits with their ballads alone than most bands have in their entire career, to say nothing of rock anthems that became cornerstones of arena rock during the '70s and '80s. And while it's been nearly a decade since original material was issued (2002's Through the Looking Glass was an album consisting of cover versions), Falling in Between sounds like a band trying to find itself during a mid-life crisis. The title track, while adventurous by Toto's standards with its mixed-metered time signatures and Middle Eastern influences, sounds exactly like the prog rock heroes they aspire to emulate (confirmed by the track-by-track commentary provided in the liner notes). "Dying on My Feet" sounds like a cross between '80s-era Chicago and Foreigner, thanks in no small part to Chicago's James Pankow contributing horn arrangements and playing trombone on the tune. Things do get better along the way. The band finally finds its footing midway through, delivering well-polished performances, and Lukather's voice has stood the test of time surprisingly intact, especially when compared to some of his contemporaries. And while there's no new ground being trodden here, the band sounds fantastic thanks to amazing production values, delivering material that can stand up to some of their best stuff. [This edition contains bonus tracks.] ~ Rob Theakston



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