Eponymous (CD) ~ R.E.M. (Artist) Cover Art

Eponymous (CD)

By: R.E.M. (Artist)


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Mesh Match For "Eponymous" CD by R.E.M.:


R.E.M. Artist Snapshot:

This Athens band's initial mix of Velvet Underground strum, Byrds-like Rickenbacker jangle, and charismatically oblique singing, became the sound of the 1980s as legions of bands followed suit. But even as imitators codified R.E.M.'s approach into the money-making "alternative rock" sound, the group refused to stand still, constantly changing and developing without ever abandoning their underground principles. Somehow they became superstars along the way, but it's never affected their commitment to their music. In 1997, drummer Bill Berry left the band, but Michael Stipe, Peter Buck, and Mike Mills soldiered on in his absence.


Product Description


Track Listing

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DISC 1 for Eponymous (CD) Album By R.E.M. (Artist)
1   Radio Free Europe - (original Hib-Tone single)
2   Gardening At Night - (different vocal mix)
3   Talk About The Passion
4   So. Central Rain
5   Rockville, (Don't Go Back To)
6   Can't Get There From Here
7   Driver 8
8   Romance
9   Fall On Me
10   One I Love, The
11   Finest Worksong - (mutual drum horn mix)
12   It's The End Of The World As We Know It (And I Feel Fine)
 


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Title Note

EPONYMOUS is a collection of mostly singles.

R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (keyboards, bass, background vocals); Bill Berry (drums).

Producers include: Mitch Easter, R.E.M., Don Dixon, Joe Boyd, Scott Litt.

EPONYMOUS collects some of the most popular tunes from R.E.M.'s first decade, some appearing in slightly different versions. Consequently, the album does double duty as a greatest-hits collection and a repository for rarities that didn't turn up on DEAD LETTER OFFICE. Organized chronologically, EPONYMOUS offers a look at the band's artistic development, from the Byrdsy jangle of the jumpy "Radio Free Europe" to the more laconic, country-tinged "(Don't Go Back To) Rockville)." "Can't Get There From Here" and "Driver 8" are simultaneously more rhythmic and more abstract, while a heavier rock sound is introduced on "The One I Love" and the closing anti-anthem "It's the End of the World As We Know It (and I Feel Fine)." EPONYMOUS is an effective overview of the band's early and middle periods, and a chronicle of a fiercely independent band's marriage of commercial and artistic success.



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