At The End Of Paths Taken (CD) ~ Cowboy Junkies (Artist) Cover Art

At the End of Paths Taken (Dig) (CD)

By: Cowboy Junkies (Artist)


List Price: $17.98
Current Price: $13.85
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Track Listing

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Amazon.com Album                  CD Universe Album
 
DISC 1 for At the End of Paths Taken (Dig) (CD) Album By Cowboy Junkies (Artist) Amazon.com iTunes CD Universe
1   Brand New World Buy Buy  
2   Still Lost Buy Buy  
3   Cutting Board Blues Buy Buy  
4   Spiral Down Buy Buy  
5   My Little Basquiat Buy Buy  
6   Someday Soon Buy Buy  
7   Follower 2 Buy Buy  
8   It Doesn't Really Matter Anyway Buy Buy  
9   Blues Eyed Saviour Buy Buy  
10   Mountain Buy Buy  

Product Description



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Album Description

Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichés. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.

Product Notes

The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John Diliberto



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