Either/Or (CD) ~ Elliott Smith (Artist) Cover Art

Either/Or (CD)

By: Elliott Smith (Artist)


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Also Available in: [Vinyl LP]
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Elliott Smith Artist Snapshot:

Elliott Smith started out as the leader of Portland-based alt-rock band Heatmiser, who made three mid-1990s albums achieving good reviews but disappointing sales. Eventually Smith reinvented himself as a solo singer-songwriter, and his first couple of albums were spare, acoustic, Nick Drake-like affairs full of exquisitely sad, melodic songs. The soundtrack to the 1997 film GOOD WILL HUNTING rocketed Smith to stardom in a dizzying flash, as the formerly unknown indie-rocker quickly found himself performing at the Oscars. With a bigger budget, Smith indulged his '60s jones, churning out Beatlesque albums of Baroque pop. His musical flame was sadly extinguished when the reportedly heroin-addicted songwriter committed suicide in 2003.


Product Description


Track Listing

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DISC 1 for Either/Or (CD) Album By Elliott Smith (Artist)
1   Speed Trials
2   Alameda
3   Ballad Of Big Nothing
4   Between The Bars
5   Pictures Of Me
6   No Name No. 5
7   Rose parade
8   Punch And Judy
9   Angeles
10   Cupid's Trick
11   2:45 AM
12   Say Yes
 


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Review

Spin (9/99, p.156) - Ranked #73 in Spin Magazine's "90 Greatest Albums of the '90s."
Spin (3/97, pp.102-104) - 7 (out of 10) - "...ranges from low-fi sparseness to rock with a melodicism Smith's band Heatmiser has yet to match....Though the harrowing heroin tales of Smith's last album are gone, his frequent alcoholidays suggest a less outwardly tortured Mark Eitzel..."
Uncut (p.114) - 4 stars out of 5 - "EITHER/OR took the small arranging step needed to turn Smith's beautifully, harmonically sly but still then mostly self-accompanied tunes into indisputable pop."
Option (5-6/97, p.128) - "...an awkward sort of prettiness that fits him well....a U-turn from the aggressive, basement minimalism of his last solo record....proving himself to be an artist of uncommon dexterity and grace."
Village Voice (2/24/98) - Ranked #20 in the Village Voice's 1997 Pazz & Jop Critics' Poll.
Mojo (Publisher) (p.65) - Ranked #24 in Mojo's "100 Modern Classics" -- "Characteristically double-tracked vocals whispered into the listener's head, revealing the confessions of a man struggling to escape an undisclosed past."
Mojo (Publisher) (p.119) - 4 stars out of 5 - "Dark surrealism with a wispy, half-there voice and an always surprising chorus."
NME (Magazine) (7/19/97, p.40) - "...Very frequently on EITHER/OR Elliott Smith...leaves you in awe at his quiet power..."

Title Note

This singer/songwriter can say more with a whisper than most folks can with a scream. The gently insinuating despair of Smith's work communicates volumes about the heartbreak and alienation that is the bane of 20th century boys with too much time on their hands. Smith's day job fronting the aggressive post-punk band Heatmiser provides him with the necessary yang to produce the quiet, evocative yin of his solo work.

On EITHER/OR, Smith observes a production ethic that retains a lo-fi looseness without sacrificing any sonic clarity. His songs of loss and loneliness have the broken-poet aura of Smog or Mark Eitzel, but he offsets the gloom with a hatful of damnably catchy melodies and progressions, turning suffering into pop and making it signify.



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