Desmond Blue (Remaster) (CD) ~ Paul Desmond (Artist) Cover Art

Desmond Blue (Remaster) (CD)

By: Paul Desmond (Artist)


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Paul Desmond Artist Snapshot:

While Charlie Parker's mark could be found on virtually every post-1950 jazz alto saxophonist, Paul Desmond built on the influence of fellow king-of-Cool Lee Konitz to become a school unto himself. Like Konitz's, Desmond's style is deceptively light and airy, more akin to the sheer tone of Lester Young than the fires of Parker. Desmond's approach was less cerebral than that of Konitz however, and so more appealing to a wider audiences. Desmond was best known for his decades-long (1951-1967) association with Dave Brubeck, but he also had a thriving solo career during and after Brubeck. (Brubeck and Desmond reunited shortly before the latter's death.)


Product Description


Track Listing

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DISC 1 for Desmond Blue (Remaster) (CD) Album By Paul Desmond (Artist)
1   My Funny Valentine
2   Desmond Blue
3   Then I'll Be Tired Of You
4   I've Got You Under My Skin
5   Late Lament
6   I Should Care
7   Like Someone In Love
8   Ill Wind (You're Blowin' Me No Good)
9   Body And Soul
10   Autumn Leaves
11   Imagination
12   Advise And Consent
13   Autumn Leaves
14   Autumn Leaves
15   Imagination
16   Advise And Consent
 


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Title Note

Personnel includes: Paul Desmond (alto saxophone); Bob Prince (arranger, conductor); George Marge, Robert Doly, Paul Winter, Stan Webb, Phil Bodner, Romeo Penque (winds); Albert Richman, Tony Miranda (French horn); Charles Libove, Arnold Eidus, Anahid Ajemian, Harry Glickman (violin); Harry Zaratzian, Alfred Brown (viola); Alan Shulman, Harvey Shapiro (cello); Gene Bianco, Gloria Agostni (harp); Jim Hall (guitar); Gene Cherico, Milt Hinton (bass); Connie Kay, Bobby Thomas, Osie Johnson (drums).

Producer: George Avakian.

Reissue producer: Barry Feldman.

Principally recorded at Webster Hall, New York, New York between June 19, 1961 & March 15, 1962. Includes liner notes by Doug Ramsey and George Avakian.

All tracks have been digitally remastered.

This is part of Bluebird Records "First Editions" series.

Recording sessions that pair jazz musicians with string orchestras can be dicey affairs, artistically speaking. More often than not, they represent an attempt to dilute the edginess of jazz and make it palatable for listeners with softer ears. DESMOND BLUE, however, succeeds marvelously. Given alto saxophonist Paul Desmond's natural penchant for cool, silky tones and highly nuanced phrasing, the addition of lush strings (arranged here by Bob Prince) is perfectly complementary, and the results are rich, complex, and alluring, never syrupy or sentimental.

The presence of guitar legend Jim Hall adds another dimension to the proceedings. Hall plays with great intuitive restraint and balance, yet is progressive in terms of his harmonic and rhythmic approach. The set focuses mostly on standards, including "I've Got You Under My Skin," "Body and Soul," and "My Funny Valentine," but it is the mood--sophisticated and soothing--that dominates throughout. This is introspective music that will undoubtedly appeal to Desmond fans, and should win over jazz purists and lovers of contemporary orchestral music alike.


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