The Deram Anthology 1966-1968 (CD) ~ David Bowie (Artist) Cover Art

The Deram Anthology 1966-1968 (CD)

By: David Bowie (Artist)


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Product Description


Track Listing

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DISC 1 for The Deram Anthology 1966-1968 (CD) Album By David Bowie (Artist)
1   Rubber Band - (Single version)
2   London Boys, The
3   Laughing Gnome, The
4   Gospel According To Tony Day, The
5   Uncle Arthur
6   Sell Me A Coat
7   Rubber Band
8   Love You Till Tuesday
9   There Is A Happy Land
10   We Are Hungry Men
11   When I Live My Dream
12   Little Bombardier
13   Silly Boy Blue
14   Come And Buy My Toys
15   Join The Gang
16   She's Got Medals
17   Maid Of Bond Street
18   Please Mr. Gravedigger
19   Love You Till Tuesday - (Single version)
20   Did You Ever Have A Dream
21   Karma Man
22   Let Me Sleep Beside You
23   In The Heat Of The Morning
24   Ching-A-Ling
25   Sell Me A Coat
26   When I Live My Dream
27   Space Oddity
 


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Review

Mojo (Publisher) (2/02, p.83) - "...Bowie blended Eastern philosophy, theatricality and the persona of an Anthony Newley-voiced sophisticate into a translated eclecticism..."

Title Note

This is a collection of singles and rare tracks recorded by David Bowie on the Deram label.

Personnel includes: David Bowie (vocals).

Recorded between 1966 and 1968. Includes liner notes by Mark Adams.

All tracks have been digitally remastered.

Prior to his transformation into the Thin White Duke, Ziggy Stardust or any of a half dozen personas that he's taken on throughout his career, David Bowie was just another art student struggling to make the leap to fame and fortune. THE DERAM ANTHOLOGY is a fascinating look into the early workings of a legendary artist. Bowie's mucking about for a hit included Anthony Newley-influenced numbers ("Rubber Band"), a novelty song ("The Laughing Gnome") swinging London lounge ("Love You Till Tuesday") and pale imitations of early Pink Floyd ("She's Got Medals.") Other more notable attempts to distinguish these numbers included adding lots of orchestration ("The London Boys"), weather-related sound effects ("Please Mr. Gravedigger") and kitschy banjo and clavinet arrangements ("Did You Ever Have A Dream"). After spending almost two years recording and watching his singles get roundly ignored by the public, Bowie started forming his unique style upon working with new producer Tony Visconti in late 1967 (This association would last another 13 years). Some of the earliest numbers of these sessions included the psychedelic folk of Bowie's mixed media trio Feathers on "Ching-A-Ling," the baroque grandiosity of "When I Live My Dream" and an early version of "Space Oddity," which is where it all started.



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