Dance To Your Shadow (Celtic Harp & Voice) (Import) (CD) ~ K... Cover Art

Dance To Your Shadow (Celtic Harp & Voice) (Import) (CD)

By: Kim Robertson


Tower Price: $29.98
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Product Description


Track Listing

DISC 1 for Dance To Your Shadow (Celtic Harp & Voice) (Import) (CD) Album By Kim Robertson
1   Morning Dew  
2   No' Plaid/Strayaway Child  
3   I Once Loved A Lass  
4   Ca' The Yowes/Plough The Stars  
5   Sally Gardens/Rider's Song/Apples In Winter  
6   Mantle So Green  
7   O'Keefe's Slide  
8   Piper's Despair  
9   Dance To Your Shadow  
10   My Johnny Was A Shoemaker/Cobbler's Jig  
11   Farewell To Stromness  
12   Broken Prayer  
13   Inisheer  
 


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Product note

Personnel includes: Kim Roberston (vocals, harp); Mark Stewart (electric guitar, mbira, tromba doo); Eric Segnitz (12-string guitar, ukulele, keyboards, electric bass); John Doyle (guitar, bouzouki); Joseph Sobel (10 & 12-string citterns); Liz Carroll (fiddle); Brek Renzelman (viola); Karl Levine (cello); Chris Norman (wood flute, whistle, small pipes); George Winston (harmonica); John Williams (button, concertina & piano accordions); Bill Barnewitz (French horn); Dave Lusssier (trombone); Alan Baer (tuba); Dan Armstrong (upright bass); Jim Hines (drums, bongos, djembe, metals, shakers); Peter Buffett (programming); Ric Probst, Peter Batchhelder (background vocals).
Recorded at Different Fur, San Francisco, California & Mission Sound, Brooklyn, New York.

Album Description

Contemporary harpist Kim Robertson's Dance to Your Shadow finds the musician delicately balancing her soothingly familiar new age compositions with newfound gentle folk-pop flourishes. Reminiscent of Loreena McKennitt and Enya's unique blend of fragile emotive vocals and rich instrumentation, Robertson's gentle but powerfully evocative Celtic harp is partnered with vocal layering, guitar, percussion, and strings. Her instrumental compositions (like the harmonica-fueled "O'Keefe's Slide" and the opening track "Morning Dew") seem to be slowly moving aside to make room for more vocal pieces (like the pulsing and rhythmic "Not My Plaid" and the subtle title track). This is by no means a bad thing, as Robinson's slight breathy voice often slips into her songs almost unnoticed, acting as yet another lush instrument in the mix. Recommended for fans of well-crafted, starkly orchestrated new age music with a warm pop sensibility. ~ Zac Johnson



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