Crosscut Saw/Black Diamond (Import) (CD) ~ The Groundhogs (Artist) Cover Art

Black Diamond/Crosscut Saw (CD)

By: The Groundhogs (Artist)


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Product Description


Track Listing

DISC 1 for Black Diamond/Crosscut Saw (CD) Album By The Groundhogs (Artist)
1   Crosscut Saw  
2   Promiscuity  
3   Boogie Withus  
4   Fulfilment  
5   Live A Little Lady  
6   Three Way Split  
7   Mean Mistreater  
8   Eleventh Hour  
9   Body Talk  
10   Fantasy Partner  
11   Live Right  
12   Country Blues  
13   Your Love Keeps Me Alive  
14   Friendzy  
15   Pastoral Future  
16   Black Diamond  
 


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Title Note

The Groundhogs were an at-times better than average 1960s British blues band led by Tony "T.S." McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. By the mid-'70s the Groundhogs sounded more like Cream thrown into a blender with Ten Years After, and their hard rock sound, for all of McPhee's guitar brilliance, had taken on an alarmingly generic feel. This set combines the two albums for Liberty/UA that the group released in 1976, Crosscut Saw (begun in 1975 as a McPhee solo project) and Black Diamond, neither of which is particularly distinctive aside from Crosscut's acoustic-based "Mean Mistreater" and "Pastoral Future," which features some lovely guitar playing by McPhee. It's nice to have both of these albums on one disc, though, which should delight fans of the band. ~ Steve Leggett

Album Description

The Groundhogs were an at-times better than average 1960s British blues band led by Tony "T.S." McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. By the mid-'70s the Groundhogs sounded more like Cream thrown into a blender with Ten Years After, and their hard rock sound, for all of McPhee's guitar brilliance, had taken on an alarmingly generic feel. This set combines the two albums for Liberty/UA that the group released in 1976, Crosscut Saw (begun in 1975 as a McPhee solo project) and Black Diamond, neither of which is particularly distinctive aside from Crosscut's acoustic-based "Mean Mistreater" and "Pastoral Future," which features some lovely guitar playing by McPhee. It's nice to have both of these albums on one disc, though, which should delight fans of the band. ~ Steve Leggett



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