Complete Recorded Works Vol. 2 (1925-1945) (CD)

Like contemporaries Ma Rainey, Bessie Smith, and Victoria Spivey, Sippie Wallace sang gutbucket blues in a jazz-band setting. Enormously influential on subsequent generations of female blues singers, Wallace served as a musical mentor to Bonnie Raitt, who has recorded a number of the blues pioneer's songs. She scored her first hit single in 1923, reemerged in the 1960s blues scene, and won a Grammy in 1982 for her final album SIPPIE. She died in 1986.

• Category:  Music  »  Blues  »  Classic Female Blues
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: September 1, 2000
• Label: Document (USA)
• UPC: 714298540024
• WAPI (Tower ID): 105760674
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #124517 in Music (See Top 100 Music Bestsellers)
• #2947 in Blues (See Top 100 Blues Bestsellers)
• #24 in Classic Female Blues (See Top 100 Classic Female Blues Bestsellers)

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Document Records has released two compilations--arranged chronologically and sold separately--of blues singer Sippie Wallace's early recordings. Though Wallace's contributions to the blues canon are sometimes overlooked, these songs place her alongside such luminaries as Bessie Smith and Ma Rainey. (Wallace "retired" from performing and recording for over 30 years, until she emerged to join the blues and roots revival of the late 1960s.) VOL. 2 focuses on the recordings Wallace made between 1925 and 1927, a period that finds Wallace in top form.

Fans of "hot" jazz will be interested to learn that a young Louis Armstrong accompanies Wallace on 10 numbers here. Though Armstrong is mostly in the background, his few instrumental spots and a spoken-word interlude on "Special Delivery Blues" raise the profile of these already top-notch sessions. But even Armstrong, clarinetist Johnny Dodds, and pianist Hersal Thomas (Wallace's younger brother, who would die an untimely death shortly after these recordings), cannot dim Wallace's vocal chops and emotional intensity, especially on the ballad "I'm a Mighty Tight Woman" (in which she distinguishes herself from her fast-living contemporaries). At 23 tracks, this is a generous, high-caliber collection of classic blues.

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