Complete At Midnight & At Riverside Sessions (Import) (CD) ~... Cover Art

Complete At Midnight & At Riverside Sessions (Import) (CD)

By: Charlie Shavers (Artist) and Harry "Sweets" Edison (Artist)


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Product Description


Track Listing

DISC 1 for Complete At Midnight & At Riverside Sessions (Import) (CD) Album By Charlie Shavers (Artist) and H...
1   Moten's Swing - (studio)  
2   Making The Scene - (studio)  
3   Sweet Georgia Brown - (studio)  
4   Blue Lou - (studio)  
5   Stompin' At The Savoy - (studio)  
6   Session At Midnight - (studio)  
7   Out Of Nowhere - (studio)  
8   I Want To Be Happy - (studio)  
9   Broadwau - (studio)  
10   Session At Riverside - (studio)  
11   Undecided - (studio)  
12   Escape Hatch - (studio)  
 

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Title Note

Personnel: Harry "Sweets" Edison (trumpet); Art Ryerson (guitar); Gus Bivona, Peanuts Hucko (clarinet); Murray McEachern (alto saxophone, trombone); Earle Warren (alto saxophone); Coleman Hawkins, Jerry Jerome, Plas Johnson , Babe Russin (tenor saxophone); Shorty Sherock, Billy Butterfield, Charlie Shavers (trumpet); Lou McGarity, Urbie Green (trombone); Jimmy Rowles, Lou Stein (piano); Osie Johnson, Irving Cottler (drums).

Recording information: Los Angeles, CA (12/02/1955-05/25/1956); New York, NY (12/02/1955-05/25/1956).

Authors: Frank Wess; Harry "Sweets" Edison; Louis Armstrong; Stanley Crouch; Buddy DeFranco.

Two full LPs of Harry "Sweets" Edison and Charlie Shavers, Session at Midnight and Session at Riverside are reissued in full on this single CD, here titled Complete at Midnight/At Riverside Sessions. Both of the sets are in the tradition of the Buck Clayton Jam Sessions with fairly basic chord changes, riffing behind soloists, and the lineups being populated by colorful swing veterans. The main difference from the Clayton jams is that the performances are briefer, clocking in mostly between five and six minutes. However there is ample solo space for all of the key players, sometimes including as many as eight horn players and the pianist on a single track. A bit unusual is that "Blue Lou" features trumpet solos and trade-offs by Harry "Sweets" Edison, Shorty Sherock and Benny Carter (switching from alto), along with alto trade-offs between Carter, Murray McEachern (who doubles on valve trombone) and Willie Smith. In general, all of the musicians play at least as well as one would expect, and one gets a rare opportunity to hear trumpeter Shorty Sherock, clarinetist Gus Bivona and tenor saxophonist Babe Russin in this type of mid-'50s all-star group. The results are fun, often infectious, and filled with spirited playing. ~ Scott Yanow

Album Description

Two full LPs of Harry "Sweets" Edison and Charlie Shavers, Session at Midnight and Session at Riverside are reissued in full on this single CD, here titled Complete at Midnight/At Riverside Sessions. Both of the sets are in the tradition of the Buck Clayton Jam Sessions with fairly basic chord changes, riffing behind soloists, and the lineups being populated by colorful swing veterans. The main difference from the Clayton jams is that the performances are briefer, clocking in mostly between five and six minutes. However there is ample solo space for all of the key players, sometimes including as many as eight horn players and the pianist on a single track. A bit unusual is that "Blue Lou" features trumpet solos and trade-offs by Harry "Sweets" Edison, Shorty Sherock and Benny Carter (switching from alto), along with alto trade-offs between Carter, Murray McEachern (who doubles on valve trombone) and Willie Smith. In general, all of the musicians play at least as well as one would expect, and one gets a rare opportunity to hear trumpeter Shorty Sherock, clarinetist Gus Bivona and tenor saxophonist Babe Russin in this type of mid-'50s all-star group. The results are fun, often infectious, and filled with spirited playing. ~ Scott Yanow



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