Personnel includes: Lester Young (tenor saxophone); Helen Humes (vocals); Willie Smith (alto saxophone); Snooky Young, Howard McGhee (trumpet); Nat "King" Cole (piano); Red Callender (bass).
Recorded between 1945 & 1947.
It has been said that the racism Lester Young experienced in the army during World War Two scarred him so badly that he never played the same again. However this two-CD compilation documents Young at his best. We can compare his playing from his prewar days to his postwar days by listening to, for example, "I Can't Get Started" from 1942 and "Something to Remember You By" from 1948.
Contrary to some critics' opinions, his later work stands up to his earlier output. His phrasing remains elegant and his tone, if anything, has become more sanguine; he also begins to stretch harmonic boundaries on the later recordings (as heard on Disc Two). Highlights include "D.B. Blues," "Jumpin' with Symphony Sid" (which actually became a minor hit), and the bouncy "Sunday." Some minor errors are found in the CD booklet; for example, trumpeter Snooky Young is left out of the personnel listing for the date heard on Disc Two with singer Helen Humes, and Young's final sessions for Aladdin occurred in 1948, not 1947 as indicated.
Personnel includes: Lester Young (tenor saxophone); Helen Humes (vocals); Willie Smith (alto saxophone); Snooky Young, Howard McGhee (trumpet); Nat "King" Cole (piano); Red Callender (bass).
Recorded between 1945 & 1947.
It has been said that the racism Lester Young experienced in the army during World War Two scarred him so badly that he never played the same again. However this two-CD compilation documents Young at his best. We can compare his playing from his prewar days to his postwar days by listening to, for example, "I Can't Get Started" from 1942 and "Something to Remember You By" from 1948.
Contrary to some critics' opinions, his later work stands up to his earlier output. His phrasing remains elegant and his tone, if anything, has become more sanguine; he also begins to stretch harmonic boundaries on the later recordings (as heard on Disc Two). Highlights include "D.B. Blues," "Jumpin' with Symphony Sid" (which actually became a minor hit), and the bouncy "Sunday." Some minor errors are found in the CD booklet; for example, trumpeter Snooky Young is left out of the personnel listing for the date heard on Disc Two with singer Helen Humes, and Young's final sessions for Aladdin occurred in 1948, not 1947 as indicated.
It has been said that the racism Lester Young experienced in the army during World War Two scarred him so badly that he never played the same again. However this two-CD compilation documents Young at his best. We can compare his playing from his prewar days to his postwar days by listening to, for example, "I Can't Get Started" from 1942 and "Something to Remember You By" from 1948.
Contrary to some critics' opinions, his later work stands up to his earlier output. His phrasing remains elegant and his tone, if anything, has become more sanguine; he also begins to stretch harmonic boundaries on the later recordings (as heard on Disc Two). Highlights include "D.B. Blues," "Jumpin' with Symphony Sid" (which actually became a minor hit), and the bouncy "Sunday." Some minor errors are found in the CD booklet; for example, trumpeter Snooky Young is left out of the personnel listing for the date heard on Disc Two with singer Helen Humes, and Young's final sessions for Aladdin occurred in 1948, not 1947 as indicated.