Child Is Father To The Man (Remaster) (CD) ~ Blood Cover Art

Child Is Father To The Man (Remaster) (CD)

By: Blood, Sweat & Tears (Artist)

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Blood, Sweat & Tears Artist Snapshot:

As initially conceived by Al Kooper, Blood, Sweat & Tears was the first and best of the jazz-rock horn bands. Though Kooper departed after the debut album, new singer David Clayton-Thomas led the band to huge commercial success with a more pop-oriented approach. BST--in both its Kooper and Clayton-Thomas incarnations--epitomized post-'60s eclecticism, crafting Top 40 hits out of musical influences as disparate as Billie Holiday, Tim Buckley, and Erik Satie.

Product Description

Track Listing

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DISC 1 for Child Is Father To The Man (Remaster) (CD) Album By Blood
1   Overture
2   I Love You More Than You'll Ever Know
3   Morning Glory
4   My Days Are Numbered
5   Without Her
6   Just One Smile
7   I Can't Quit Her
8   Meagan's Gypsy Eyes
9   Somethin' Goin' On
10   House In The Country
11   Modern Adventures Of Plato, Diogenes & Freud, The
12   So Much Love / Underture
13   Refugee From Yuhupitz - (TRUE instrumental)  
14   I Love You More Than You'll Ever Know - (demo)  
15   Modern Adventures Of Plato, Diogenes & Freud - (demo)  
 

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Review

Q (1/01, p.122) - 3 out of 5 stars - "...Genre-busting....Using scalpel-sharp brass and strings, Al Kooper made no bones about trying to shift rock up the cultural ladder and almost succeeded on 'My Days Are Numbered' and 'I Can't Quit Her'..."

Title Note

Blood, Sweat & Tears: Steve Katz (vocals, acoustic & electric guitars, lute); Al Kooper (vocals, piano, organ, ondioline); Bobby Colomby (vocals, drums, percussion); Fred Lipsius (alto saxophone, piano); Jerry Weiss, Randy Brecker (trumpet, flugelhorn); Dick Halligan (trombone); Jim Fielder (bass).

Additional personnel: Ztak Evets (guitar); Gene Orloff, Leon Kruczek, Paul Gershman, Harry Lookofsky, Julie Held, Manny Green, Anahid Ajemian, Harry Katzman (violin); Manny Vardi, Harold Colletta (viola); Charles McCracken, Alan Schulman (cello); John Simon (piano, organ); Doug James (shaker); Valerie Simpson, Melba Moorman, Leslie Gurgle (background vocals).

Includes liner notes by Al Kooper.

Blood, Sweat & Tears: Al Kooper.

Anyone who only knows BS&T from their early-'70s incarnation as a middle-of-the-road hit machine needs to hear this 1968 album. It's a masterpiece, the best thing the multi-talented Al Kooper has ever done, including his work with the Blues Project and the Rolling Stones, and that famous organ on Dylan's "Like a Rolling Stone." Kooper aimed for a band that could do it all, and for an album that would combine the best elements of rock, jazz, folk, classical, soul, R&B, and anything else he could think of, into one powerfully eclectic whole.

Astonishingly, he achieved both ends, and it's one of rock's great missed opportunities that internal dissension within the band led to Kooper's dismissal. Fortunately, this document remains, and decades later Kooper's originals such as "I Can't Quit Her" and "House in the Country," and his innovative arrangements of songs by Tim Buckley, Harry Nilsson, and Randy Newman, still sound as impressive and forward-thinking as ever.

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