Caught Live And Five (Import) (CD) ~ Moody Blues (The) Cover Art

Caught Live And Five (Import) (CD)

By: Moody Blues (The)

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Product Description

Track Listing

DISC 1 for Caught Live And Five (Import) (CD) Album By Moody Blues (The)
1   Gypsy (Of A Strange And Distant Time)  
2   Sunset  
3   Dr. Livingstone I Presume  
4   Never Comes The Day  
5   Peak Hour  
6   Tuesday Afternoon  
7   Are You Sitting Comfortably  
8   Dream  
9   Have You Heard (part 1)  
10   Voyage  
11   Have You Heard (part 2)  
12   Nights In White Satin  
13   Legend Of A Mind  
14   Ride My See-Saw  
15   Gimme A Little Somethin' (studio)  
16   Please Think About It (studio)  
17   Long Summer Days (studio)  
18   King And Queen (studio)  
19   What Am I Doing Here (studio)  
 

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Product note

The Moody Blues: Justin Hayward (vocals, guitar); John Lodge (vocals, bass); Ray Thomas (vocals, flute); Graeme Edge (drums).
Engineers include: Bill Price, John Punter, Derek Varnals.
Principally recorded live at the Royal Albert Hall, London, England on December 12, 1969.
Digitally remastered by Steven Fallone.
Due to interpersonal strife, the Moody Blues called it quits between 1972's SEVENTH SOJOURN and 1978's OCTAVE. Presumably attempting to satiate hungry Moodies fans, Threshold released this vintage concert recording from a 1969 Royal Albert Hall show. The band was young and at the peak of its popularity, and they sound full of promise and ambition. Most of the songs come from their classic concept album DAYS OF FUTURE PASSED and its two successors. Having not yet settled into a more comfortable ballad mode, the group was at the peak of its psych/prog powers. Mike Pinder's Mellotron is unleashed in all its faux-string section glory on "Tuesday Afternoon" and the evergreen "Nights in White Satin," and Ray Thomas's pixie-like flute presence colors pretty ballads such as "Are you Sitting Comfortably?"
The most impressive thing about CAUGHT LIVE is that the Moodies, whose reputation was made on their larger-than-life studio achievements, proved more than equal to the task of reproducing these achievements live. As a bonus, there are five tracks appended to CAUGHT LIVE, studio rarities from the same time period.

Album Description

Due to interpersonal strife, the Moody Blues called it quits between 1972's SEVENTH SOJOURN and 1978's OCTAVE. Presumably attempting to satiate hungry Moodies fans, Threshold released this vintage concert recording from a 1969 Royal Albert Hall show. The band was young and at the peak of its popularity, and they sound full of promise and ambition. Most of the songs come from their classic concept album DAYS OF FUTURE PASSED and its two successors. Having not yet settled into a more comfortable ballad mode, the group was at the peak of its psych/prog powers. Mike Pinder's Mellotron is unleashed in all its faux-string section glory on "Tuesday Afternoon" and the evergreen "Nights in White Satin", and Ray Thomas's pixie-like flute presence colours pretty ballads such as "Are you Sitting Comfortably?"
The most impressive thing about CAUGHT LIVE is that the Moodies, whose reputation was made on their larger-than-life studio achievements, proved more than equal to the task of reproducing these achievements live. As a bonus, there are five tracks appended to CAUGHT LIVE, studio rarities from the same time period.

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