The Carnegie Hall Concert (CD) ~ Lenny Bruce (Artist) Cover Art

Carnegie Hall Concert (CD)

By: Lenny Bruce (Artist)


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Lenny Bruce Artist Snapshot:

An American icon, Lenny Bruce is essentially known as a comedian, but he was equal parts comic, philosopher, and social critic. At a particularly conservative, uptight moment in American culture, he spoke out freely against the hypocrisies of religion, government, and social mores. His use of expletives and sexual themes, modest by today's standards, got him in endless legal troubles, which savaged both his life and his career. He died of an overdose in 1966, but remains one of the key influences on comedy, particularly on comedians with a sociopolitical bent.


Product Description


Track Listing

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DISC 1 for Carnegie Hall Concert (CD) Album By Lenny Bruce (Artist)
1   Introduction By Don Friedman / Miracle On 5th Street / The Airlines / Sound / The Kidnap / Point Of View / Ku Klux Klan / A What's It Mean / Kennedy Acceptance Speech / On Humor / Nightclubs / Dykes And Faggots / Girl Singing / The Flag And Communism
 
DISC 2 for Carnegie Hall Concert (CD) Album By Lenny Bruce (Artist)
1   Las Vegas Tits And Ass / The Clap / Christ And Moses / Equality / Internal Revenue / Pills / Burlesque House / Judge Saperstein Decision / On Contemporaries / Shelly Berman / The Operation / The Joke / The End
 


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Title Note

Personnel: Lenny Bruce (spoken vocals).

Liner Note Author: Albert Goldman.

Recording information: Carnegie Hall, New York, New York (02/04/1961).

The Feb. 4, 1961 concert captured on this album took place under extreme circumstances. New York City was virtually snowbound by a massive blizzard, automobile traffic was banned, and it seemed almost impossible for anyone to get anywhere. Yet somehow, the cognoscenti trooped into Carnegie Hall that night, filling up the prestigious venue to experience Lenny Bruce firsthand. What the hardy crowd got was about two hours of the comedian/philosopher at his best, mixing Beat-like stream-of-consciousness flow with jazzman argot, pidgin Yiddish, and a unique, ironic perspective on the social issues of the day.

Delving into everything from racism and homosexuality to Christianity and the medical profession, Bruce dissects his targets with a jeweler's eye and a schpritzer's jocular venom. More than any other comedian (though what he did extended far beyond mere comedy), Bruce had the gift of enabling audiences to laugh and think simultaneously. Second only to the LIVE AT THE CURRAN THEATER album recorded the same year, this is a definitive Bruce concert recording.



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