Boys Don't Cry (Import) (CD) ~ Cure (The) Cover Art

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Boys Don't Cry (Import) (CD)

By: Cure (The)


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Product Description


Track Listing

DISC 1 for Boys Don't Cry (Import) (CD) Album By Cure (The)
1   Boys Don't Cry  
2   Plastic Passion  
3   10.15 Saturday Night  
4   Accuracy  
5   Object  
6   Jumping Someone Else's Train  
7   Subway Song  
8   Killing An Arab  
9   Fire In Cairo  
10   Another Day  
11   Grinding Halt  
12   World War  
13   Three Imaginary Boys  
 


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Product note

The Cure: Robert Smith (vocals, guitar); Michael Dempsey (vocals, bass); Lol Tolhurst (drums).
Recorded at Morgan Studios, London, England in 1979.
Inaugurating the shadowy gloom/blissful pop combination that became the Cure's trademark, BOYS DON'T CRY contains healthy portions of both, along with a dose of punk-fueled angst befitting the times in which it was recorded. Robert Smith reveals himself as an alarmingly developed songwriter--though he was still in his late teens when these songs were written, his compositional abilities are as impressive as the potential they reveal.
The album produced a string of hits, several of which were to remain signature tunes for the group throughout their lengthy tenure in pop's upper strata. The title track, as touchingly naive and vulnerable a love song as one could ask for, is the album's best-known song. "Killing An Arab," based on a famous passage from "The Stranger," attracted controversy while it displayed Smith's burgeoning taste in exotic compositional textures. The gently bizarre "10:15 Saturday Night" is a calm study in dynamics, while "Jumping Someone Else's Train" is a cry for individuality, a sentiment truly at the heart of this and all the group's work.

Album Description

Inaugurating the shadowy gloom/blissful pop combination that became the Cure's trademark, BOYS DON'T CRY contains healthy portions of both, along with a dose of punk-fueled angst befitting the times in which it was recorded. Robert Smith reveals himself as an alarmingly developed songwriter--though he was still in his late teens when these songs were written, his compositional abilities are as impressive as the potential they reveal.
The album produced a string of hits, several of which were to remain signature tunes for the group throughout their lengthy tenure in pop's upper strata. The title track, as touchingly naive and vulnerable a love song as one could ask for, is the album's best-known song. "Killing An Arab", based on a famous passage from "The Stranger", attracted controversy while it displayed Smith's burgeoning taste in exotic compositional textures. The gently bizarre "10:15 Saturday Night" is a calm study in dynamics, while "Jumping Someone Else's Train" is a cry for individuality, a sentiment truly at the heart of this and all the group's work.



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