Rolling Stone (10/6/94, p.91) - 4 Stars - Excellent - "...Learning from its mistakes, the band has broadened its scope on BETTY, expressing emotional depth and musical wit along with brute strength..."
Spin (8/94, p.85) - Satisfactory - "...This is heavy metal without the theater, headbanging music for people without hair..."
Alternative Press (9/94, p.74) - "...BETTY, is filled with the crunch based power we've come to expect...a little chancey, yet undeniably Helmet..."
Musician (7/94, p.89) - "...BETTY blows the lid off the sucker, using hip-hop, hints of jazz, reams of speaker-altering noise and, unexpectedly, humor. Helmet have de-metallized metal..."
NME (Magazine) (6/25/94, p.41) - 6 - Good - "...not only does BETTY betray a surprising sleight of hand in its shuffling of familiar components but it also has the sense to lob the odd ringer into the gig..."
Helmet: Page Hamilton (vocals, guitar); Rob Echeverria (guitar); Henry Bogdan (bass); John Stanier (drums).
Engineers: Anton Pukshansky, Martin Bisi, John Siket.
Recorded at Soundtrack, Power Station, and Sound on Sound, New York.
Guitar thugs Helmet muscled their way into a hefty record-industry bidding war in the early 1990s, boasting an impressive use of negative space within dense guitar structures. Largely due to frontman Page Hamilton's stop/start guitar riffs, Helmet was easily recognizable in a sea of competitors.
The group's second major-label album, BETTY, growls and grinds through 14 songs simmering with post-adolescent angst. Tracks like "Biscuits for Smut" and "Overrated" couldn't be better fit for the jaded mid-1990s. Mixing nihilism with a fascination for pop-culture commodity, Hamilton drops words like "cellulite" with "karmic wealth" to create an insightful foray into an over-stimulated culture. A more dynamic outing than the quartet's previous releases, BETTY revealed Helmet as a fascinatingly restless band.