Ballads For Night People (CD) ~ June Christy (Artist) Cover Art

Ballads For Night People (CD)

By: June Christy (Artist)


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Product Description


Track Listing

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DISC 1 for Ballads For Night People (CD) Album By June Christy (Artist)
1   Bewitched, Bothered, Bewildered
2   Night People
3   Do Nothing 'Til You Hear From Me
4   I Had A LIttle Sorrow
5   I'm In Love
6   Shadow Woman
7   Kissing Bug
8   My Ship
9   Don't Get Around Much Anymore
10   Make Love To Me
11   I Know About Love
12   Cry Like The Wind
13   Make Someone Happy
14   Asking For You
15   All You Need Is A Quarter
 


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Review

JazzTimes (p.113) - "[T]here was a slightly heightened sophistication, a distingu‚ urbanity about Christy that shines through on everything here..."

Title Note

Includes five bonus tracks.

Personnel: June Christy (vocals); Al Viola (guitar); Kathryn Julye (harp); Bud Shank (flute, alto flute, alto saxophone); Buddy Collette (clarinet, bass clarinet, tenor saxophone, baritone saxophone); Bob Cooper (clarinet, bass clarinet, tenor saxophone); Chuck Gentry (bass clarinet, contrabass clarinet); Norman Benno (oboe, English horn, bassoon); Joe Gordon (trumpet); Vincent DeRosa, Jim Decker (French horn); Frank Rosolino (trombone); Joe Castro (piano); Monty Budwig, Red Callender, Buddy Clark (double bass); Mel Lewis, Shelly Manne, Stan Levey (drums).

Liner Note Author: Will Friedwald.

Recording information: Capitol Records Studio, Hollywood, CA (08/27/1959); Capitol Records Studio, Hollywood, CA (09/10/1959); Capitol Records Studio, Hollywood, CA (02/02/1961).

Arranger: Bob Cooper.

Through her decade-long tenure on Capitol Records, the singer June Christy rarely recorded a less-than-stellar session. Most of her LPs were carefully programmed, arranged, and, of course, sung. (As with a classical singer, these professional habits only enhanced Christy's artistry.) BALLADS FOR NIGHT PEOPLE from 1959 also boasts relaxed, jazzy arrangements by the singer's husband, saxophonist Bob Cooper, a fellow alumnus of Stan Kenton's band. There are two Duke Ellington classics,"Do Nothin' Till You Hear From Me" and "Don't Get Around Much Anymore," a definitive version of Kurt Weill's "My Ship," and an arresting performance of Rodgers & Hart's "Bewitched (Bothered & Bewildered)" which dramatically opens the set.



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