Anthology (1961-1968) (CD) ~ Gene Pitney (Artist) Cover Art

Anthology (1961-1968) (CD)

By: Gene Pitney (Artist)


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Gene Pitney Artist Snapshot:

With his urgent, keening voice and pathos-ridden songs, Gene Pitney had some huge hits in the early 1960s ("Town Without Pity," "Only Love Can Break a Heart"), all just a little off-kilter and sinister, and was by far the most substantive of the era's teen idols. He was equally successful as a songwriter for other artists, though. Ricky Nelson's "Hello Mary Lou" and the Crystals' "He's a Rebel" bore Pitney's name, as did songs recorded by everyone from Roy Orbison to Nick Cave. Along the way, the eclectic, unpredictable Pitney recorded albums of country music and Italian songs, and even played on an early Rolling Stones session. He died in 2006.


Product Description


Track Listing

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DISC 1 for Anthology (1961-1968) (CD) Album By Gene Pitney (Artist)
1   Love My Life Away (I Wanna)
2   Every Breath I Take
3   Town Without Pity
4   Liberty Valance, (The Man Who Shot)
5   Only Love Can Break A Heart
6   Half Heaven-Half Heartache
7   Mecca
8   True Love Never Runs Smooth
9   Twenty Four Hours From Tulsa
10   That Girl Belongs To Yesterday
11   It Hurts To Be In Love
12   I'm Gonna Be Strong
13   Last Chance To Turn Around
14   Looking Through The Eyes Of Love
15   Just One Smile
16   She's A Heartbreaker
 


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Title Note

This set, with its self-explanatory title--ANTHOLOGY: 1961-1968-- provides a valuable service in compiling 16 of Gene Pitney's best moments from the '60s. Though Pitney is sometimes dismissed as a negligible teen-idol type, or criticized for his melodramatic delivery, his vocal range is quite impressive, and his emotionally charged performances can transcend theatrics to get at something genuine and heartfelt.

Pitney's biggest hits--"24 Hours From Tulsa" and "Town Without Pity," among them--are here, of course, along with other, lesser-known gems. All of it is infused with a wrenching sense of heartache and despair. Like Roy Orbison--to whom he is often compared--Pitney's singing is the epitome of romantic yearning, yet the most revealing aspect of this well-selected collection is Pitney's remarkable stylistic range, as witnessed on tracks ranging from the "The Man Who Shot Liberty Valance" to the middle eastern-inflected "Mecca."



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