The American Leonardo (Hardcover) ~ John Brewer (Author) Cover Art

The American Leonardo (Hardcover)

By: John Brewer (Author)

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Review

"Brewer skillfully...explores how Old Master art became the currency with which the country's new millionaires established their cultural credibility."

Publisher's note

In 1919 a returning World War I veteran named Harry Hahn and his French bride attempted to sell what they thought was a painting by Leonardo Da Vinci in New York. Renowned art dealer Sir Joseph Duveen declared the picture-La Belle Ferronniere-a fake without ever seeing the canvas. The Hahns sued Duveen for slander, setting off a legal battle that would last for decades.

In THE AMERICAN LEONARDO, John Brewer traces the twisting path of the Hahn La Belle-a painting of famously uncertain origin--as he illuminates the workings of the twentieth-century art market, exploring such larger questions about the art world as how attributions are made, how they affect both the status and value of art works, and how the entire system of art dealers, curators, and connoisseurs authenticates works of art. In the early twentieth century new methods of scientific analysis developed, which meant that for the first time, the critical eye of the connoisseur had to contend with an emerging array of scientific and forensic tests that (however crude at their inception) promised a degree of objectivity and reliability unattainable before.

Brewer shows how the tension between the two methods of attribution lay at the heart of the Hahn La Belle dispute, which continues to this day. The painting currently languishes in an Omaha storage vault awaiting the resolution of the most recent lawsuit. For artists and art-lovers, collectors and curators-and for anyone who's ever stood in front of a painting and wondered about its story, THE AMERICAN LEONARDO offers a discerning and entertaining view into the art world.

Annotation

Though beauty is in the eye of the beholder, authenticity is in the eye of the expert. Or is it? That was the issue at stake when in 1919 a returning doughboy named Harry Hahn and his French bride Andree attempted to sell what they thought was a genuine Da Vinci in New York. Renowned art dealer Sir Joseph Duveen declared the picture--La Belle Ferronniere--a fake without ever seeing the canvas. The Hahns sued Duveen for slander, setting off a legal battle that would embroil the art world for decades.
In The American Leonardo, John Brewer uses this high drama as a vehicle to reveal how authority, expertise, and value are all culturally derived and situated. The trial of the Hahn Belle raised larger questions about how attributions are made, how they affect both the status and value of art works, and how the entire system of art dealers, curators, and connoisseurs authenticates works of art. In the early twentieth century new methods of scientific analysis developed, which meant that for the first time, the critical eye of the connoisseur had to contend with an emerging array of scientific and forensic tests that (however crude in their inception) promised a degree of objectivity and reliability unattainable before. Brewer shows how the tension between the two methods of attribution lay at the heart of the Hahn La Belle dispute, which continues to this day.
For artists and art-lovers, collectors and curators--and for anyone who's ever stood in front of a painting and wondered about its story--The American Leonardo offers a discerning and entertaining view into the art world as it tries to separate Old Masters from modern mountebanks.
Praise for John Brewer's The Pleasures of the Imagination:
"Like all really original achievements, it makes us sharply rethink things we supposed we knew well."
-Simon Schama
"Lively A sea change in historical writing."
--Peter Ackroyd, The Times

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