As is true of all great literature, Kurban Said''s Ali and Nino has timeless appeal. Set in the years surrounding the Russian Revolution and the rise of the Soviet Union, Said''s tale of an Azerbaijani Muslim boy in love with a Georgian Christian girl is both tender and disturbingly prescient. The novel, first published in 1937, begins as Ali Khan Shirvanshir is finishing his last year of high school:
We were a very mixed lot, we forty schoolboys who were having a Geography lesson one hot afternoon in the Imperial Russian Humanistic High School of Baku, Transcaucasia: thirty Mohammedans, four Armenians, two Poles, three Sectarians, and one Russian.
The multi-ethnic Baku, it seems, stands at a crossroads between West and East, and, as the smug Russian professor informs his pupils, it is their responsibility to decide "whether our town should belong to progressive Europe or to reactionary Asia." For Ali Khan Shirvanshir there is no doubt--he belongs to the East; his beloved Nino, however, is "a Christian, who eats with knife and fork, has laughing eyes and wears filmy silk stockings."
Far away, to the West, there are rumblings of war. When the Russian Revolution begins, Ali Khan chooses not to fight; the Czar''s fate is of little interest to a Muslim living in far away Transcaucasia. But the young man senses that another, greater danger is gathering on his country''s borders--an "invisible hand" trying to force his world into new ways, the ways of the West. He assures his worried father that, like his ancestors, he is willing to die in battle, but at a time of his own choosing. In the meantime, he courts Nino and eventually marries her in the teeth of scandal and opposition. This union of East and West is at times a difficult one as Ali Khan finds himself lured further and further into European ways. When Soviet troops invade, however, he must choose once and for all whether to stand for Asia or Europe.
One of the many pleasures Ali and Nino offers is Kurban Said''s lovingly rendered evocations of Muslim culture. Another is his compassionate portrait of the protagonists'' difficult but profound relationship. Modern readers coming to this novel in the wake of the fall of Communism, outbreaks of sectarian violence, and the rise of religious fundamentalism will find disturbing parallels in its cautionary chronicle of cultures colliding and a way of life brutally destroyed. In the end, however, it is not historical accuracy, but rather the charm and passion of the title characters that lifts Said''s only novel into literature''s highest ranks. --Alix Wilber
First published in Vienna in 1937, this classic story of romance and adventure has been compared to Dr. Zhivago and Romeo and Juliet. Its mysterious author was recently the subject of a feature article in the New Yorker, which has inspired a forthcoming biography. Out of print for nearly three decades until the hardcover re-release last year, Ali and Nino is Kurban Said''s masterpiece. It is a captivating novel as evocative of the exotic desert landscape as it is of the passion between two people pulled apart by culture, religion, and war.
It is the eve of World War I in Baku, Azerbaijan, a city on the edge of the Caspian Sea, poised precariously between east and west. Ali Khan Shirvanshir, a Muslim schoolboy from a proud, aristocratic family, has fallen in love with the beautiful and enigmatic Nino Kipiani, a Christian girl with distinctly European sensibilities. To be together they must overcome blood feud and scandal, attempt a daring horseback rescue, and travel from the bustling street of oil-boom Baku, through starkly beautiful deserts and remote mountain villages, to the opulent palace of Ali''s uncle in neighboring Persia. Ultimately the lovers are drawn back to Baku, but when war threatens their future, Ali is forced to choose between his loyalty to the beliefs of his Asian ancestors and his profound devotion to Nino. Combining the exotic fascination of a tale told by Scheherazade with the range and magnificence of an epic, Ali and Nino is a timeless classic of love in the face of war.
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