Album (+5 Bonus Tracks) (Import) (CD) ~ Art Tatum (Artist) Cover Art

Album (+5 Bonus Tracks) (Import) (CD)

By: Art Tatum (Artist)

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Product Description

Track Listing

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DISC 1 for Album (+5 Bonus Tracks) (Import) (CD) Album By Art Tatum (Artist)
1   All The Things Are You
2   Gone With The Wind
3   Have You Met Miss Jones?
4   Night & Day
5   Where Or When
6   My Ideal
7   My One & Only Love
8   All The Things You Are (bonus track)
9   Gone With The Wind (bonus track)
10   Have You Met Miss Jones? (bonus track)
11   Night & Day (bonus track)
12   Where Or When (bonus track)
 

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Product note

Originally released on Vee-Jay Records (4006).

Title Note

Personnel: Art Tatum (piano); Ben Webster (tenor saxophone); Red Callender (bass instrument); Bill Douglass (drums).

The great pianist Art Tatum was pretty much a solo act his entire career--his rich, ornate style rarely meshing with another soloist's contributions. Which makes the 1956 recordings he did with tenor saxophonist Ben Webster at the end of his life (Tatum died a mere month after these sessions) all the more precious. On the face of it, Tatum's fulsome, baroque approach and Webster's blues-inflected, slurry lyricism would seem to be especially incompatible. The audible results definitely refute any such notion however. Like two master vaudevillians, the two swing veterans perform their musical turns expertly in tandem, with Webster's breathy, conversational lines leaving plenty of room for Tatum's filigrees and signature appergios. And there is absolutely no hint that the pianist was nearing his end. His piano tone is lush, his attack on point, and his inexhaustible harmonic invention raises this far above a typical jazz all-star session. The Essential Jazz Classics reissue adds five Tatum solo pieces to the original seven songs recorded with Webster.

Album Description

The great pianist Art Tatum was pretty much a solo act his entire career--his rich, ornate style rarely meshing with another soloist's contributions. Which makes the 1956 recordings he did with tenor saxophonist Ben Webster at the end of his life (Tatum died a mere month after these sessions) all the more precious. On the face of it, Tatum's fulsome, baroque approach and Webster's blues-inflected, slurry lyricism would seem to be especially incompatible. The audible results definitely refute any such notion however. Like two master vaudevillians, the two swing veterans perform their musical turns expertly in tandem, with Webster's breathy, conversational lines leaving plenty of room for Tatum's filigrees and signature appergios. And there is absolutely no hint that the pianist was nearing his end. His piano tone is lush, his attack on point, and his inexhaustible harmonic invention raises this far above a typical jazz all-star session. The Essential Jazz Classics reissue adds five Tatum solo pieces to the original seven songs recorded with Webster.

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