About Time (CD) ~ Webb Wilder (Artist) Cover Art

It Came from Nashville (CD)

By: Webb Wilder (Artist)


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Product Description


Track Listing

DISC 1 for It Came from Nashville (CD) Album By Webb Wilder (Artist)
1   How Long Can She Last  
2   Horror Hayride  
3   I'm Burning  
4   Is This All There is  
5   Devil's Right Hand  
6   Move On Down the Line  
7   One Taste of the Bait  
8   I'm Wise To You  
9   It Sets In Your Blood  
10   Poolside  
11   Ruff Rider  
12   Keep It On Your Mind  
13   Rock' N' Roll Ruby  
14   Samson and Delilah's Beauty Shop  
15   Cactus Planet  
16   Dance For Daddy  
17   Adam Dread Intro  
18   Rock Therapy  
19   Who is Webb Wilder Intro  
20   Hole In My Pocket  
21   Webb Wilder  
22   Pretty Little Lights of Town  
23   Inner Space Rap  
24   Rocket To Nowhere  
25   Steppin' Out  
26   Webb's Theme  
 


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Review

Stereo Review (4/94, p.98) - "...Wilder's brand of neo-country geek rock was ahead of its time when this 1986 album (here fleshed out with bonus tracks) was originally released, and in the age of Garth Brooks it still is...."

Title Note

Webb Wilder And The Beatnecks: Webb Wilder (vocals, guitar); Donnie "The Twangler" Roberts (guitar, background vocals); Denny "Cletus" Blakely (bass, background vocals); Jimmy Lester (drums); The Ionizer (drums, guitar, background vocals).

Additional personnel: Jim Liban (harmonica); Wally Wilson (piano); Carson Whitsett (Hammond organ); Billy Prince (bass).

Engineers include: Johnny Rosen, Billy Prince, Joe Wilson.

Live tracks recorded at the Exit Inn, Nashville, Tennessee on March 14, 1986.

Includes 4 bonus tracks.

True to the album's title, it has been eight years since the last platter of original material from Webb Wilder. Although this disc -- his sixth since 1989 -- isn't worth a wait of that length, it is a terrific addition to the rather meager Wilder catalog. Produced by longtime cohort R.S. Field, who also pens nearly half of the tracks, Wilder utilizes his deep baritone voice and edgy twang band to energize '50s rockers, frisky swamp pop, country blues, surf, and twang nuggets. To his credit, original Field rockers like "Miss Missy from Ol' Hong Kong" sound like the obscure covers that Wilder resurrects from rock & roll's dusty past. Wilder's eclectic catalog-raiding ranges from Tommy Overstreet's honky tonk "If You're Looking for a Fool" to Johnny Burnette's "Little Boy Sad" and Cliff Richards' "Move It." He also unearths "Jimmy Reed Is the King of Rock and Roll," a comparatively new tune from the underappreciated Kevin Gordon, and kicks the album off in high gear with a sizzling version of Big Al Downing's "Down On the Farm." Wilder displays his dry humor on "Scattergun," a tongue-in-cheek Western story-ballad out of the "High Noon"/"The Man Who Shot Liberty Valance"-styled '60s songbook. Horns pep up a few tracks, such as the Chuck Berry-ish "Battle of the Bands," and Wilder even stops by the tiki lounge for a pedal steel-driven weeper, "Old Copper Penny." But judging from "The Only One," a rugged, shadowy, midtempo burner co-composed with Chuck Prophet and the album's most serious tune, Wilder should include more of his own originals when he gets around to making another album -- which hopefully will not come after another eight-year wait, because this collection is such loose fun. Occasionally the energy lags, but About Time is a rollicking party from one of Americana's less recognized but most talented and knowledgeable artists. ~ Hal Horowitz

Rock & roll at its heart, with gimmicks on its shoulder. Lots of fun. ~ Robert Gordon



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