A Space In Time (CD) ~ Ten Years After (Artist) Cover Art

A Space In Time (CD)

By: Ten Years After (Artist)


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Ten Years After Artist Snapshot:

Best known for their epic performance of "I'm Going Home" in the WOODSTOCK film, British blues-rock band Ten Years After was a vital part of the U.K./U.S. rock scene in the hippie era, but over time, their legacy hasn't lasted as well as that of their peers. Led by blazing guitarmeister Alvin Lee, the band debuted in 1967, their psych-tinged blues-rock taking a more accessible tone on 1971's A PLACE IN TIME, which contained their biggest hit, "I'd Like To Change The World." The band broke up in 1974, with Lee going solo, though there were a couple of brief reunions (one without Lee) in later decades.


Product Description


Track Listing

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DISC 1 for A Space In Time (CD) Album By Ten Years After (Artist)
1   One Of These Days
2   Here They Come
3   I'd Love To Change The World
4   Over The Hill
5   Baby Won't You Let Me Rock 'N' Roll You
6   Once There Was A Time
7   Let The Sky Fall
8   Hard Monkeys
9   I've Been There Too
10   Uncle Jam
 


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Review

Rolling Stone (10/14/71, p.49) - "...The original material and arrangements are terribly lame....As the Romans used to say...let the buyer beware..."

Title Note

Ten Years After: Alvin Lee (vocals, guitar); Chick Churchill (keyboards); Leo Lyons (bass); Ric Lee (drums).

Recorded at Olympic Studios, London, England.

A SPACE IN TIME was Ten Years After's biggest commercial success. The reasons are pretty obvious; Alvin Lee's songwriting had improved markedly and there was far more stylistic variety than on their previous albums.

The big hit here was "I'd Love to Change the World," with its catchy acoustic guitar hook and the immortal opening line, "Everywhere is freaks and hairies." Other highpoints include: "Baby Won't You Let Me Rock 'n' Roll You," the band's first stab at Stones-style raunch (complete with a riff from Led Zeppelin); the country-ish romp "Once There Was a Time"; and the gently folky and surprisingly self-deprecating "Over the Hill," which features strings, a move that would have been unthinkable for this band a year or two earlier.



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