A Course of Lectures on Dramatic Art and Literature (1833) (Pape... Cover Art

A Course of Lectures on Dramatic Art and Literature (1833) (Paperback)

By: August Wilhelm Von Schlegel (Author)



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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: LECTURE II. After this rapid view of what may be called the map of dramatic literature, we return to the examination of the principal idea. We have already shown that the supposition of a visible representation is essential to the dramatic form; and a dramatic work can therefore be considered in a double point of view, how far it Is poetical, and how far it is theatrical. The two are by no means inseparable. I do not mean the poetical expression: I am not now considering the versification and the ornaments of language, though without a higher merit these are the least essential parts of theatrical works, but the poetry in the spirit and plan of a piece; and this may exist in a high degree, when it is even written in prose. How does a drama become poetical? Most assuredly in the very same way as works in other branches become so. It must in the first place be a connected whole, and complete within itself. But this is merely the negative condition of the form of a work of art, by which it is distinguished from the phenomena of nature, which flow into one another, and do not possess an independent existence. To be poetical it is necessary that it should be a mirror of ideas, that is, thoughts and feelings in their character necessary and eternally true, which soar above this earthly life, and that it should exhibit them embodied before us. The ideas which in this view are essent''il to the different departments of the drama will hereafter be the object of our investigation. We shall also, by way of contrast, show that without them a drama becomes altogether prosaic and empirical, that is, composed by the understanding from the observation of reality. But how does a dramatic work become theatrical, or fitted to appear with advantage on the stage? It is often difficult in a si...


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