'64-'95 (CD) ~ Lemon Jelly (Artist) Cover Art

'64-'95 (CD)

By: Lemon Jelly (Artist)

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Lemon Jelly Artist Snapshot:

Nick Franglen and Fred Deakin are a whimsical British pair who pool their combined good taste for samples and beats to create recordings that are popular among club-goers, record collectors, and even ad executives, who often use their exuberant electronica in TV and radio spots. Their first EPs were released in the late 1990s to some acclaim, but when they gathered these works into a full-length album in 2000, the Lemon Jelly juggernaut was launched. They enjoy an active European touring schedule and healthy international album sales, and Franglen has extended his talents to the realm of production, having worked on Badly Drawn Boy's 2006 album, BORN IN THE U.K.

Product Description

Track Listing

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DISC 1 for '64-'95 (CD) Album By Lemon Jelly (Artist)
1   Untitled - (Hidden Track)
2   Come Down On Me
3   Only Time
4   Don't Stop Now
5   Make Things Right
6   Shouty Track, The
7   Stay With You
8   Slow Train, The
9   Man Like Me, A
10   Go
 

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Review

Uncut (p.91) - 3 stars out of 5 - "[T]he familiar acoustic guitars and pastoral meanderings abound, but the tone is less whimsical, occasionally ecstatic, and at times reminiscent of big beat."
Mojo (Publisher) (p.100) - 3 stars out of 5 - "Like many music obsessives before them, Franglen and Deakin have been rifling their record collections for novel sounds....[Featuring] shiny aesthetic satisfaction..."

Title Note

This CD contains an untitled hidden track on track # 10.

Lemon Jelly: Fred Deakin, Nick Franglen.

Additional personnel: Terri Walker, William Shatner (vocals).

"Come Down to Me," the first song on electronica duo Lemon Jelly's third full-length album, begins with a massive guitar sound crashing heavily over a shuddering drum loop and weaving synth patterns. The fusion is indicative of Lemon Jelly's mix-and-match aesthetic. On '64-'95, Fred Deakin and Nick Franglen thread acoustic and electric guitars, strings, heady keyboard melodies, meaty bass parts, and a staggering array of eclectic samples through grooves and beats derived from hip-hop, soul, techno, and house. The result is a whiplash melange of styles that is as surprising as it is accessible and fun.

The title of the album refers to the years from which Lemon Jelly lifted its source material. The listener has the impression of traveling through time, from the ringing, old-school barbershop strains of "The Slow Train" to the smooth 1970s soul of "Stay with You" to the avant-garde swirl of "The Shouty Track." Occasionally Lemon Jelly put its tongue so firmly in cheek that it's hard not to smile (note the use of William Shatner reciting poetry on "Go"), but for the most part, '64-'95 is serious DJ artistry--dense, inventive tracks that are equally suitable for headphone meditation and dance-floor workouts.

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