Entertainment Weekly (p.79) - "It's definitely one of those three-a.m.-of-the-soul affairs....The net effect is something close to that produced by Bob Dylan's '75 depresso classic BLOOD ON THE TRACKS." -- Grade: B-
Uncut (p.108) - 5 stars out of 5 -- "[T]his is not easy listening, ye he's never made a more beautiful album....29 sucks the willing listener into the undertow of his private ocean."
CMJ (p.4) - "His Americana-through-a-haze-of-alcohol spark is never lost among the string sections, piano twinkling and sleepy pedal steel."
Mojo (Publisher) (p.92) - 3 stars out of 5 -- "[T]he overall mood is spare and reflective, with Adams playing mostly alone, on guitar and piano, and rarely sounding better..."
Personnel: Ethan Johns, Jennifer Condos, J.P. Bowersock.
Ryan Adams's third album of 2005, 29, is his only outing of the year not co-billed to his band, the Cardinals. The distinction is important--while Adams's Cardinals-backed outings allowed the North Carolina-born singer/songwriter to get in touch with his alt-country roots, 29 is a more minimalist offering that features gritty blues (the simmering title track), spare ballads (the lovely "Starlite Diner"), and emotive pop/rock (the delicate "Blue Sky Blues"). Although this disc is closest in spirit to Adams's LOVE IS HELL releases, it's a much more eclectic affair, leading the listener down many of the performer's subtler musical paths and back to one lonely intersection on the edge of town.